 Rosie ODonnell INTIMIDATES Her VIEW Co. Rosie ODonnell INTIMIDATES Her VIEW Co.The conversation got heated on The View on Thursday, Nov. 20, when panelists Whoopi. |  Whoopi Goldberg and Rosie Perez Butt Heads with. Whoopi Goldberg and Rosie Perez Butt Heads with.The women of the view butt over discussing Bill Cosbys rape ALLEGATIONS. |  Whoopi Goldberg rages at Rosie ODonnell in. Whoopi Goldberg rages at Rosie ODonnell in.YOU ARE A WHITE LADY TELLING ME WHAT IS RACIST!: Whoopi Goldberg rages at Rosie. |  Rosie ODonnell: A Heartfelt Stand Up (HBO. Rosie ODonnell: A Heartfelt Stand Up (HBO.Subscribe to the HBO Docs YouTube: http://itsh.bo/10r45k3 Rosie ODonnell: A Heartfelt. |
 Rosie ODonnell vs. Elisabeth Hasselbeck Cat. Rosie ODonnell vs. Elisabeth Hasselbeck Cat.May 23, 2007 TV Show The View on ABC Rosie ODonnell and Elisabeth Hasselbeck went. |  2014 Tony Awards - Rosie ODonnell - Isabelle. 2014 Tony Awards - Rosie ODonnell - Isabelle.Rosie ODonnell received the Isabelle Stevenson Award at the 2014 Tony Awards. The 68th. |  Rosie ODonnell: Clinton Should Be Prosecuted. Rosie ODonnell: Clinton Should Be Prosecuted.Rosie ODonnell think s that Bill Clinton should be prosecuted for sex with Monica Lewinsky . |  Mat Franco: Rosie ODonnell and Howard Stern. Mat Franco: Rosie ODonnell and Howard Stern.Mat Franco performs a cool card trick with the help of Rosie ODonnell and Howard Stern. |
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 ���Im Really Sick of Your S***��� Whoopi Goldberg to Rosie. ���Im Really Sick of Your S***��� Whoopi Goldberg to Rosie.Well, the honeymoon period on The View seems to have lasted for all of two weeks. It seems that. |  Rosie ODonnell Describes Her Heart Attack. Rosie ODonnell Describes Her Heart Attack.Rosie tells Dave about the circumstances surrounding her massive heart attack. |  Mario Cantone Reacts to Rosie ODonnell in a. Mario Cantone Reacts to Rosie ODonnell in a.Mario Cantone Reacts to Rosie ODonnell in a Dress.. Whoopi Goldberg and Rosie. |  Bill Cosby Allegations of Rape on The View - Rosie. Bill Cosby Allegations of Rape on The View - Rosie.For more about Bill Cosby Allegations on The View, please visit http://www. joseph-morris.com. |
 File:Rosie ODonnell 3 by David Shankbone.jpg - Wikimedia Commons File:Rosie ODonnell 3 by David Shankbone.jpg - Wikimedia Commons File:Rosie ODonnell 3 by |  Rosie ODonnell Exiting The View - Next week will be her last on. Rosie ODonnell Exiting The View - Next week will be her last on. now you poor Freepers have to |  Better Than Average |  Rosie ODonnell in Wicked, Chicago or Sister Act? Five Broadway. Rosie ODonnell in Wicked, Chicago or Sister Act? Five Broadway. Rosie ODonnell in Wicked, |
 Dowling Family Genealogy - Rosie O Dowling Family Genealogy - Rosie O Rosie ODonnell |  Really, Rosie? Rosie ODonnell, TVs Erstwhile Queen of Nice. Really, Rosie? Rosie ODonnell, TVs Erstwhile Queen of Nice. Rosie ODonnell |  #Kontrolmag Rosie O’Donnell (@Rosie) Splits from her Wife and “The View (@TheView)!” www.kontrolgirl.com #Kontrol #Kontrolmag #ABC #TheView #divorce #wife #HeyMikey @HeyMikeyAtl written by @HeyMikeyAtl #Kontrolmag Rosie O’Donnell (@Rosie) Splits from her Wife and “The View (@TheView)!” www.kontrolgirl.com #Kontrol #Kontrolmag #ABC #TheView #divorce #wife #HeyMikey @HeyMikeyAtl written by @HeyMikeyAtl |  Rosie ODonnell - Wikipedia, the free encyclopedia Rosie ODonnell - Wikipedia, the free encyclopedia Rosie ODonnell 2.jpg |
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 Rosie ODonnell Continues Elisabeth Hasselbeck Feud on Twitter. Rosie ODonnell Continues Elisabeth Hasselbeck Feud on Twitter. Rosie ODonnell Headshot - P |  Comparison of Withe Bodies |  Rosie O’Donnell Leaves THE VIEW Again Along With Latest Wife Click to read the full story: Rosie O’Donnell Leaves THE VIEW Again Along With Latest Wife Everyone was expecting Rosie Perez to be the first to exit ABC’s troubled talk show The View, but the Rosie O’Donnell Leaves THE VIEW Again Along With Latest Wife Click to read the full story: Rosie O’Donnell Leaves THE VIEW Again Along With Latest Wife Everyone was expecting Rosie Perez to be the first to exit ABC’s troubled talk show The View, but the |  File:Rosie ODonnell by David Shankbone.jpg - Wikimedia Commons File:Rosie ODonnell by David Shankbone.jpg - Wikimedia Commons File:Rosie ODonnell by David |
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Wills for Probate
MANHATTAN ALEXANDER, JOEL (May 4). Estate, more than $50,000. To Edith R. S. Alexander, widow, executrix, 1,085 Park Av., household, personal effects and income from residue, with power of appointment.. Por
What the F*ck?!: Rosie ODonnell Says Rosie Perez Isnt.
���No matter what you read anywhere, Rosie Perez is also coming back after she is done rehearsing her play,��� ODonnell told the audience. ���Her play, the new Larry David play that shes starring in [Fish in the Dark] opens soon.
Chief Awards at Long Island Dog Show
Japanese Spaniels, WInners, Dogs, Best of Winnes, Best of Breed-Mrs. E. H. Berendsohnsch. Kumochi No Koban, Winners, Bitches-Mrs. Berendsohns ch. Kumochi No Chiko Chan. Pomeranians, winners, Bitches-Mrs. John P. Laflins princess Erika. Best of Breed -Mrs. Anderw W. Roses Ch. Perfection of Emotose Hill.
The Listings | Jan. 6-Jan. 12
Selective listings by critics of The New York Times of new and noteworthy cultural events in the New York metropolitan region this week. * denotes a highly recommended film, concert, show or exhibition. Theater Approximate running times are in parentheses. Theaters are in Manhattan unless otherwise noted. Full reviews of current shows, additional listings, showtimes and tickets: nytimes.com/theater. Previews and Openings BRIDGE & TUNNEL Previews start Thursday. Opens Jan. 26. The Surface Transit star Sarah Jones takes her comic solo show about a diverse poetry slam to Broadway (1:30). Helen Hayes Theater, 240 West 44th Street; (212) 239-6200. RABBIT HOLE Previews start Thursday. Opens Feb. 2. A husband and wife drift apart in the wake of a terrible accident in David Lindsay-Abaires new family drama. Cynthia Nixon and Tyne Daly star (2:10). Biltmore Theater, 261 West 47th Street; (212) 239-6200. ZOMBOID! Previews start Thursday. Opens Jan. 25. Richard Foreman, a downtown institution, tries multimedia in his latest experimental event, which features large projections shot in Australia (1:15). Ontological-Hysteric Theater, 131 East 10th Street, East Village; (212) 352-3101. ALMOST, MAINE Opens Thursday. A comedy consisting of 11 episodes that all take place at 9 p.m. on a Friday, about love and heartbreak in a cold town in Maine (2:00). Daryl Roth Theater, 101 East 15th Street, Flatiron district; (212) 239-6200. BEAUTY OF THE FATHER Opens Tuesday. The New York premiere of a new play by Nilo Cruz (Anna in the Tropics) about a young woman who travels to Spain to reconcile with her father (2:10). Manhattan Theater Club, at City Center, Stage II, 131 West 55th Street, Manhattan; (212) 581-1212. THE LITTLE DOG LAUGHED Opens Monday. If you are pining for the television series Entourage, currently on hiatus, you might want to try Douglas Carter Beanes new comedy, which covers similar territory: Hollywood agent, cute movie star, tabloid gossip (2:10). Second Stage Theater, 307 West 43rd Street, Clinton; (212) 246-4422. Broadway CHITA RIVERA: THE DANCERS LIFE At 72, Ms. Rivera still has the voice, the attitude and -- oh, yes -- the legs to magnetize all eyes in an audience. If the singing scrapbook of a show that surrounds her is less than electric, there is no denying the electricity of the woman at its center (2:00). Schoenfeld Theater, 236 West 45th Street; (212) 239-6200. (Ben Brantley) THE COLOR PURPLE So much plot, so many years, so many characters to cram into less than three hours. This beat-the-clock musical adaptation of Alice Walkers Pulitzer Prizewinning novel about Southern black women finding their inner warriors never slows down long enough for you to embrace it. LaChanze leads the vibrant, hard-working cast (2:40). Broadway Theater, 1681 Broadway, at 53rd Street; (212) 239-6200. (Brantley) DIRTY ROTTEN SCOUNDRELS On paper this musical tale of two mismatched scam artists has an awful lot in common with The Producers. But if you are going to court comparison with giants, you had better be prepared to stand tall. Dirty Rotten Scoundrels, starring John Lithgow and Norbert Leo Butz, never straightens out of a slouch (2:35). (On Jan. 17, Jonathan Pryce will assume Mr. Lithgows role.) Imperial Theater, 249 West 45th Street; (212) 239-6200. (Brantley) * DOUBT, A PARABLE (Pulitzer Prize, Best Play 2005, and Tony Award, Best Play 2005) Set in the Bronx in 1964, this play by John Patrick Shanley is structured as a clash of wills and generations between Sister Aloysius (Cherry Jones), the head of a parochial school, and Father Flynn (Brian F. OByrne), the young priest who may or may not be too fond of the boys in his charge. The plays elements bring to mind those tidy topical melodramas that were once so popular. But Mr. Shanley makes subversive use of musty conventions (1:30). (On Tuesday, Eileen Atkins will assume Ms. Joness role, and Ron Eldard Mr. OByrnes.) Walter Kerr Theater; 219 West 48th Street, (212) 239-6200. (Brantley) JERSEY BOYS From grit to glamour with the Four Seasons, directed by the pop repackager Des McAnuff (The Whos Tommy). The real thrill of this shrink-wrapped bio-musical, for those who want something more than recycled chart toppers and a story line poured from a can, is watching the wonderful John Lloyd Young (as Frankie Valli) cross the line from exact impersonation into something far more compelling (2:30). August Wilson Theater, 245 West 52nd Street; (212) 239-6200. (Brantley) THE LIGHT IN THE PIAZZA Love is a many-flavored thing, from sugary to sour, in Adam Guettel and Craig Lucass encouragingly ambitious and discouragingly unfulfilled new musical. The show soars only in the sweetly bitter songs performed by the wonderful Victoria Clark, as an American abroad (2:15). Beaumont Theater, Lincoln Center; (212) 239-6200. (Brantley) THE ODD COUPLE Odd is not the word for this couple. How could an adjective suggesting strangeness or surprise apply to a production so calculatedly devoted to the known, the cozy, the conventional? As the title characters in Neil Simons 1965 comedy, directed as if to a metronome by Joe Mantello, Nathan Lane and Matthew Broderick reprise their star performances from The Producers, and its not a natural fit. Dont even consider killing yourself because the show is already sold out (2:10). Brooks Atkinson Theater, 256 West 47th Street; (212) 307-4100. (Brantley) SPAMALOT (Tony Award, Best Musical 2005) This staged re-creation of the mock-medieval movie Monty Python and the Holy Grail is basically a singing scrapbook for Python fans. Such a good time is being had by so many people that this fitful, eager celebration of inanity and irreverence has found a large and lucrative audience (2:20). Shubert Theater, 225 West 44th Street; (212) 239-6200. (Brantley) * SWEENEY TODD Sweet dreams, New York. This thrilling new revival of Stephen Sondheim and Hugh Wheelers musical, with Michael Cerveris and Patti LuPone leading a cast of 10 who double as their own musicians, burrows into your thoughts like a campfire storyteller who knows what really scares you. The inventive director John Doyle aims his pared-down interpretation at the squirming child in everyone who wants to have his worst fears both confirmed and dispelled (2:30). Eugene ONeill Theater, 230 West 49th Street; (212) 239-6200. (Brantley) A TOUCH OF THE POET It takes Gabriel Byrne, playing a self-dramatizing monster father, roughly an hour to find his feet in Doug Hughess lukewarm revival of Eugene ONeills drama. But when he does, in the shows second half, audiences are allowed a rare glimpse of a thrilling process: an actors taking hold of the reins of a runaway role and riding it for all its worth. Unfortunately, nothing else in this underdirected, undercast production begins to match his pace (2:40). Studio 54, 254 West 54th Street; (212) 719-1300. (Brantley) * THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE The happy news for this happy-making little musical is that the move to larger quarters has dissipated none of its quirky charm. William Finns score sounds plumper and more rewarding than it did on Off Broadway, providing a sprinkling of sugar to complement the sass in Rachel Sheinkins zinger-filled book. The performances are flawless. Gold stars all around (1:45). Circle in the Square, 1633 Broadway, at 50th Street; (212) 239-6200. (Charles Isherwood) THE WOMAN IN WHITE Bravely flouting centuries of accepted scientific theory, the creators of this adaptation of Wilkie Collinss spine tingler have set out to prove that the world is flat, after all. This latest offering from Andrew Lloyd Webber, directed by Trevor Nunn, seems to exist entirely in two dimensions, from its computer-generated backdrops to its decorative chess-piece-like characters (2:50). Marquis Theater, 211 West 45th Street; (212) 307-4100. (Brantley) Off Broadway * ABIGAILS PARTY Scott Elliotts thoroughly delectable production of Mike Leighs 1977 comedy about domestic discord among the British middle classes. Jennifer Jason Leigh leads a superb ensemble cast as a party hostess who wields the gin bottle like a deadly weapon, resulting in an evening of savagely funny chaos (2:15). Acorn Theater at Theater Row, 410 West 42nd Street, Clinton; (212) 279-4200. (Isherwood) * ALTAR BOYZ This sweetly satirical show about a Christian pop group made up of five potential Teen People cover boys is an enjoyable, silly diversion (1:30). Dodger Stages, Stage 4, 340 West 50th Street, Clinton; (212) 239-6200.(Isherwood) BINGO Play bingo, munch on popcorn and watch accomplished actors freshen up a stale musical about game night (1:20). St. Lukes Theater, 308 West 46th Street, Clinton; (212) 239-6200. (Jason Zinoman) CANDIDA The two men -- David Tillistrand as Candidas husband and Danaher Dempsey as the sniveling poet who falls under her spell -- arent strong enough to make this a great Candida, but Shaws insights still shine a century after he wrote the play, and the director, Michael Halberstam, manages to draw some good laughs in the third act (1:55). Bouwerie Lane Theater, 330 Bowery Lane, at Bond Street, East Village; (212) 279-4200. (Genzlinger) * CELEBRATION and THE ROOM The Atlantic Theater Companys production of the first and most recent plays by Harold Pinter gets only the later work right. (Thats Celebration, an unexpectedly boisterous comedy from 2000.) But if the italicized acting scales down dramatic effectiveness, it heightens thematic clarity. Essential viewing for anyone wondering why Mr. Pinter won the Nobel Prize this year (1:45). Atlantic Theater, 336 West 20th Street, Chelsea; (212) 239-6200. (Brantley) DOG SEES GOD: CONFESSIONS OF A TEENAGE BLOCKHEAD The Peanuts characters grow up, do drugs and have sex in this dark, disposable parody. Good grief (1:30). Century Center for the Performing Arts, 111 East 15th Street, Flatiron district; (212) 239-6200. (Zinoman) DRUMSTRUCK This noisy novelty is a mixed blessing. Providing a two-foot drum on every seat, it offers an opportunity to exorcise aggressions by delivering a good beating, and, on a slightly more elevated level, it presents a superficial introduction to African culture, lessons in drumming and 90 minutes of nonstop music, song and dancing by a good-natured cast (1:30). Dodger Stages, Stage 2, 340 West 50th Street, Clinton; (212) 239-6200. (Lawrence Van Gelder) INFERTILITY A harmless, insubstantial and highly amplified musical about the struggles of five people hoping to become parents (1:20). Dillons, 245 West 54th Street; (212) 868-4444. (Zinoman) * IN THE CONTINUUM Danai Gurira and Nikkole Salter are both the authors and the performers of this smart, spirited and disarmingly funny show about two women: one a middle-class mother in Zimbabwe, the other a 19-year-old at loose ends in Los Angeles whose lives are upended by HIV diagnoses. Emphatically not a downer (1:30). Perry Street Theater, 31 Perry Street, Greenwich Village; (212) 868-4444. (Isherwood) MR. MARMALADE A zany comedy by Noah Haidle about emotionally disturbed children. Yes, you read that right. Michael C. Hall of Six Feet Under plays the now-cuddly, now-abusive imaginary friend of a neglected 4 year old. Unfortunately, Mr. Haidle never truly capitalizes on his provocative conceit, choosing instead to draw us a scary but ultimately hollow cartoon (1:50). Roundabout Theater Company, Laura Pels Theater, at the Harold and Miriam Steinberg Center for Theater, 111 West 46th Street; (212) 719-1300. (Isherwood) *MRS. WARRENS PROFESSION An absolutely splendid Dana Ivey takes the title role in Charlotte Moores sensitively acted production of Bernard Shaws famously provocative play, which is celebrating its 100th anniversary on the New York stage this year (2:20). Irish Repertory Theater, 132 West 22nd Street, Chelsea; (212) 727-2737. (Isherwood) THE OTHER SIDE In Ariel Dorfmans ponderous comedy-drama, an old couple standing in for all of Suffering Humanity endure the trials of warfare and the bureaucratic absurdities that come with peace. Even the redoubtable Rosemary Harris and John Cullum can do little to enliven the proceedings (1:30). Manhattan Theater Club, City Center Stage I, 131 West 55th Street; (212) 581-1212. (Isherwood) RFK This solo show written and starring Jack Holmes is a reasonably accurate historical portrait, but the performance, unfortunately, lacks the charisma and charm that made the real Bobby Kennedy a star (1:35). Culture Project @ 45 Bleecker, 45 Bleecker Street, at Lafayette Street, East Village; (212) 253-9983. (Jonathan Kalb) * THE TRIP TO BOUNTIFUL Led by Lois Smith in a heart-wrenching performance, the cast never strikes a false note in Harris Yulins beautifully mounted revival of Horton Footes drama, finding an emotional authenticity in a work largely remembered as a tear-jerking chestnut. This is not to say you should neglect to bring handkerchiefs (1:50). Signature Theater, 555 West 42nd Street, Clinton; (212) 244-7529. (Brantley) Off Off Broadway * JACKIE HOFFMAN: CHANUKAH AT JOES PUB The return of a beloved ritual for those wanting a reprieve from enforced benevolence and good cheer. The fearless, explosively funny Ms. Hoffman radiates anything but love and charity as she reviews the year in outrage, both global and personal (1:10). Joes Pub, at the Public Theater, 425 Lafayette Street, at Astor Place, East Village; (212) 239-6200. (Isherwood) WALKING IN MEMPHIS: THE LIFE OF A SOUTHERN JEW Part memoir, part stand-up routine, this autobiographical piece is endearing, but not quite as colorful as it thinks it is. Jonathan Ross, the pieces creator, grew up Jewish in Memphis: anecdotes about his life may make for good theater, but will probably be better when he gets a little older (1:20). Abingdon Theater Arts Complex, 312 West 36th Street; (212) 868-4444. (Anne Midgette) Long-Running Shows AVENUE Q R-rated puppets give lively life lessons (2:10). Golden, 252 West 45th Street; (212) 239-6200. (Brantley) BEAUTY AND THE BEAST Cartoon made flesh, sort of (2:30). Lunt-Fontanne Theater, 205 West 46th Street; (212) 307-4747. (Brantley) CHICAGO Irrefutable proof that crime pays (2:25). Ambassador Theater, 219 West 49th Street; (212) 239-6200.(Brantley) FIDDLER ON THE ROOF The Shtetl Land pavilion in the theme park called Broadway. With Rosie ODonnell and Harvey Fierstein (2:55). Minskoff Theater, 200 West 45th Street; (212) 307-4100. (Brantley) HAIRSPRAY Fizzy pop, cute kids, large man in a housedress (2:30). Neil Simon Theater, 250 West 52nd Street; (212) 307-4100. (Brantley) THE LION KING Disney on safari, where the big bucks roam (2:45). New Amsterdam Theater, 214 West 42nd Street; (212) 307-4100. (Brantley) MAMMA MIA! The jukebox that devoured Broadway (2:20). Cadillac Winter Garden Theater, 1634 Broadway, at 50th Street; (212) 239-6200. (Brantley) THE PHANTOM OF THE OPERA Who was that masked man, anyway? (2:30). Majestic Theater, 247 West 44th Street; (212) 239-6200. (Brantley) THE PRODUCERS The ne plus ultra of showbiz scams (2:45). St. James Theater, 246 West 44th Street; (212) 239-6200. (Brantley) RENT East Village angst and love songs to die for (2:45). Nederlander Theater, 208 West 41st Street; (212) 307-4100. (Brantley) WICKED Oz revisited, with political corrections (2:45). Gershwin Theater, 222 West 51st Street; (212) 307-4100. (Brantley) Last Chance APPARITION Anne Washburns gothic shorts are like an excellent late-night storytelling session at the Vincent Price camp for disturbed children (1:20). Connelly Theater, 220 East Fourth Street, East Village; (212) 352-3101; closing Sunday. (Zinoman) BIG APPLE CIRCUS -- GRANDMA GOES TO HOLLYWOOD Long on sweetness, rich in color and highly tuneful, but short on eye-popping, cheer-igniting wows (2:10). Damrosch Park at Lincoln Center, Broadway and 63rd Street, (212) 307-4100; closing Sunday. (Van Gelder) FEAR ITSELF: SECRETS OF THE WHITE HOUSE In the latest cartoonish sendup of the Bush administration, the simple task of translating ideas into dramatic form seems to have been overlooked (1:45). Theater for the New City, 155 First Avenue, at 10th Street, East Village; (212) 352-0255; closing Sunday. (Zinoman) SEASCAPE While George Grizzard sounds affecting depths in this audience-friendly revival of Edward Albees 1975 Pulitzer Prizewinner, Mark Lamoss production is most notable for being likable and forgettable, traits seldom associated with Albee plays. The ever-vital Frances Sternhagen plays life-affirming wife to Mr. Grizzards curmudgeonly husband, while Frederick Weller and the wonderful Elizabeth Marvel are the sea creatures who confront the old couple one afternoon at the beach (1:45). Lincoln Center Theater, at the Booth Theater, 222 West 45th Street; (212) 239-6200; closing Sunday. (Brantley) SOUVENIR Stephen Temperleys sweet, long love letter of a play celebrates the unlikely career of Florence Foster Jenkins, a notoriously tone-deaf soprano socialite. Its a show that could easily have been pure camp, and at over two hours it still wears thin. But with Vivian Matalon directing the redoubtable Judy Kaye as Mrs. Jenkins, and Donald Corren as her accompanist, the plays investigative empathy turns the first act into unexpectedly gentle, affecting comedy (2:15). Lyceum Theater, 149 West 45th Street; (212) 239-6200; closing Sunday. (Brantley) Movies Ratings and running times are in parentheses; foreign films have English subtitles. Full reviews of all current releases, movie trailers, showtimes and tickets: nytimes.com/movies. * BREAKFAST ON PLUTO (R, 129 minutes) Candide meets Tom Jones in drag heaven might describe Neil Jordans picaresque fairy tale about a foundling who becomes a transvestite in 1970s and 80s London, against the backdrop of the Irish troubles. (Stephen Holden) * BROKEBACK MOUNTAIN (R, 134 minutes) Annie Proulxs heartbreaking story of two ranch hands who fall in love while herding sheep in 1963 has been faithfully translated onto the screen in Ang Lees landmark film. Heath Ledger (in a great performance worthy of Brando at his peak) and Jake Gyllenhaal bring them fully alive. (Holden) * CACHÉ (HIDDEN) (R, 121 minutes, in French) Michael Haneke, one of the most elegantly sadistic European directors working today, deposits his audience at the intersection of voyeurism and paranoia in this tense, politically tinged psychological thriller about vengeance and injustice. Juliette Binoche and Daniel Auteuil are in top form as an affluent Parisian couple menaced by mysterious drawings and videotapes. (A. O. Scott) EL CARRO (No rating, 93 minutes, in Spanish) Pleasant but slight, this sociological farce from Colombia tells the story of a vintage convertible that changes the lives of the middle-class Velez family to mildly humorous effect. (Nathan Lee) * CASANOVA (R, 110 minutes) Heath Ledger affirms his status as the pansexual art-house heartthrob of the moment in this high-spirited farce suggested by the career of 18th-century Venices most notorious seducer. Silly, sly and delightful. (Scott) CHEAPER BY THE DOZEN 2 (PG, 100 minutes) In this unnecessary sequel to a mediocre remake, Tom Baker (Steve Martin) and his clan visit Lake Winnetka, also the regular summer dwelling of Toms longtime archrival (Eugene Levy). A tiresome film, full of repetitive, misfired jokes, false emotions and caricatures. Even the pairing of Mr. Martin and Mr. Levy fails to inspire anything more than the occasional smile.(Laura Kern) CHICKEN LITTLE (G, 80 minutes) The sky is falling! The sky is falling! Well, its not as bad as that. Almost, though. (Scott) THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE (PG, 135 minutes) This honorable adaptation of C. S. Lewiss novel has much of the power and charm of the source. The fusing of live action and computer-generated imagery is adequate, if rarely inspiring. Adult viewers are likely to imbibe the films wonders indirectly, through the eyes of accompanying children, who are likely to be delighted and sometimes awed. (Scott) THE FAMILY STONE (PG-13, 102 minutes) A home-for-the-holidays movie about a tribe of ravenous cannibals that bares its excellent teeth at anyone who doesnt accommodate its preening self-regard, most recently a big-city executive played by a very good Sarah Jessica Parker. (Manohla Dargis) * GOOD NIGHT, AND GOOD LUCK. (PG, 90 minutes) George Clooney, with impressive rigor and intelligence, examines the confrontation between the CBS newsman Edward R. Murrow (a superb David Strathairn) and Senator Joseph R. McCarthy (himself). Plunging you into a smoky, black-and-white world of political paranoia and commercial pressure, the film is a history lesson and a passionate essay on power, responsibility and the ethics of journalism. (Scott) * HARRY POTTER AND THE GOBLET OF FIRE (PG-13, 150 minutes) Childhood ends for the young wizard with the zigzag scar in the latest addition to the Potter saga, even as the director Mike Newell keeps its British eccentricity, fatalism and steady-on pluck irresistibly intact. (Dargis) INITIAL D (No rating, 95 minutes, in Cantonese) A street-racing film based on a popular Japanese comic book, Initial D pitches swaggering Takeshi (Shawn Yue) against diffident Takumi (Jay Chou), a reluctant hero who prefers the charms of his girlfriend (Anne Suzuki) to the dangers of hairpin bends. A slick but silly affair unlikely to appeal to anyone over 15. (Jeannette Catsoulis) * THE INTRUDER (No rating, 130 minutes, in French) The French director Claire Deniss most ambitious and poetically intuitive film explores the troubled soul of a brooding loner who undergoes a heart transplant and travels halfway around the world, from the Jura mountains to the South Seas, to begin a new life. This visually rhapsodic film is both profound and profoundly enigmatic. (Holden) * KING KONG (PG-13, 180 minutes) Peter Jacksons remake is, almost by definition, too much -- too long, too big, too stuffed with characters and effects-driven set pieces -- but it is also remarkably nimble and sweet. Going back to the Depression-era setting of the 1933 original, Mr. Jacksons film is as much a tribute to the old seat-of-the-pants spirit of early motion pictures as it is an exercise in technological bravura. Naomi Watts as the would-be movie star Ann Darrow and Andy Serkis as the big monkey who loves her have a rapport that gives the spectacle the pathos and sweetness it needs, and help to turn a brute spectacle into a pop tragedy. (Scott) * MATCH POINT (R, 124 minutes) Woody Allens best in years, and one of his best ever. Beneath the dazzling, sexy surface, this tale of social climbing in London (brilliantly acted by Jonathan Rhys-Meyers, Scarlett Johansson and Emily Mortimer) is ice cold and pitch black, which curiously enough makes it a superior diversion. (Scott) THE MATADOR (R, 96 minutes) Pithy remarks put into the mouth of a star (Pierce Brosnan) playing against type impart a greasy sheen of sophistication to this weightless, amoral romp about a professional hit man facing a midlife crisis. (Holden) MEMOIRS OF A GEISHA (PG-13, 144 minutes) Think As the Geisha Turns, with devious rivals, swoonworthy swains, a jaw-dropping dance number recycled from Madonnas Drowned World tour and much clinching, panting and scheming. Directed by Rob Marshall from the Arthur Golden book, and starring Ziyi Zhang, Gong Li and Michelle Yeoh. (Dargis) MRS. PALFREY AT THE CLAREMONT (No rating, 108 minutes) This weepie about the tender friendship between a 70-something British widow (Joan Plowright) and a struggling young writer (Rupert Friend) is as anachronistic as the notion of a Terence Rattigan play set in the present. (Holden) * PARADISE NOW (PG-13, 90 minutes, in Arabic and Hebrew) This melodrama about two Palestinians, best friends from childhood, chosen to carry out a suicide bombing in Tel Aviv is a superior thriller whose shrewdly inserted plot twists and emotional wrinkles are calculated to put your heart in your throat and keep it there. (Holden) * PRIDE & PREJUDICE (PG, 128 minutes) In this sumptuous, extravagantly romantic adaptation of Jane Austens 1813 novel, Keira Knightleys Elizabeth Bennet exudes a radiance that suffuses the movie. This is a banquet of high-end comfort food perfectly cooked and seasoned to Anglophilic tastes. (Holden) THE PRODUCERS (PG-13, 127 minutes) At a fraction of the Broadway ticket price, its no bargain. (Scott) RENT (PG-13, 135 minutes) Jonathan Larsons beloved musical is as loud, earnest and sentimental as ever. But somehow, as it has made the transition to the screen almost a decade after its theatrical debut (with much of the original stage cast), the show has dated less than the objections to it. Yes, the East Village was never really like this, but in Chris Columbuss hands, the hectic updating of La Bohème to the age of AIDS and gentrification feels surprisingly sweet and fresh. (Scott) THE RINGER (PG-13, 94 minutes) A hilarious and resourceful cast of intellectually challenged actors smartens up an otherwise brain-dead comedy produced by the Farrelly brothers. Johnny Knoxville stars, dimly, as a cash-strapped office clerk who tries to rig the Special Olympics. (Lee) RUMOR HAS IT (PG-13, 96 minutes) Jennifer Aniston, trying her best, traipses through this pointless updating of The Graduate, in which we learn that Ann Bancroft was really Shirley MacLaine all along, and that Dustin Hoffman grew up to be Kevin Costner. Actually, that makes the movie sound much more interesting than it is. (Scott) * SYRIANA (R, 122 minutes) Ambitious, angry and complicated, Stephen Gaghans second film tackles terrorism, American foreign policy, global trade and the oil business through four interwoven stories. There are at least a half-dozen first-rate performances, and Mr. Gaghan, who wrote and directed, reinvents the political thriller as a vehicle for serious engagement with the state of the world. (Scott) TRANSAMERICA (R, 103 minutes) Felicity Huffmans performance as a preoperative transsexual on a cross-country journey with her long-lost son is sensitive and convincing, and helps the picture rise above its indie road-picture clichés. (Scott) WALK THE LINE (PG-13, 138 minutes) Johnny Cash gets the musical biopic treatment in this moderately entertaining, never quite convincing chronicle of his early years. Joaquin Phoenix, sweaty, inarticulate and intense as Cash, is upstaged by Reese Witherspoon, who tears into the role of June Carter (Cashs creative partner long before she became his second wife) with her usual charm, pluck and intelligence. (Scott) THE WHITE COUNTESS (PG-13, 135 minutes) Set in Shanghai in 1936 and starring Ralph Fiennes and three Redgraves, the final collaboration between James Ivory and Ismail Merchant (who died during post-production) wants to be a pulse-racing cross between Casablanca and The English Patient. But this fussy, pieced-together epic manqué never develops any stamina. (Holden) YOURS, MINE AND OURS (PG, 90 minutes) Dennis Quaid and Rene Russo inhabit roles originated by Henry Fonda and Lucille Ball in this snug, airtight remake of the 1968 comedy about the combining of two antagonistic families with 18 children between them. Cutesy unreality prevails. (Holden) Film Series ARTISTS CHOICE: STEPHEN SONDHEIM (Through Sunday) The Museum of Modern Arts 15-film series of works chosen by Mr. Sondheim, the legendary Broadway composer and lyricist, concludes this weekend with a selection of period films. They include Truffauts Story of Adele H. (1975); Stanley Kubricks gorgeous romantic drama Barry Lyndon (1975); Louis Malles sexy comic drama Le Voleur (1967); and I Compagni (1963), Mario Monicellis drama, starring Marcello Mastroianni, about a textile factory strike. Roy and Niuta Titus Theaters, 11 West 53rd Street, Manhattan, (212) 708-9400; $10. (Anita Gates) ESSENTIAL HITCHCOCK (Through Thursday) Film Forums five-week retrospective of Alfred Hitchcocks films comes to an end next week. The final features include Vertigo (1958), starring James Stewart and Kim Novak; To Catch a Thief (1955), pairing Grace Kelly and Cary Grant in Monaco; the silent version of Blackmail (1929); and I Confess (1953), starring Montgomery Clift as a Québécois priest suspected of murder. 209 West Houston Street, west of Avenue of the Americas, South Village, (212) 727-8110; $10. (Gates) FASSBINDER (Through Feb. 26) IFC Centers Weekend Classics Program is presenting a series of 11 feature films and 2 shorts by Rainer Werner Fassbinder (1946-82). This weekends film is Love Is Colder Than Death (1969), a romantic triangle involving a pimp, his mistress and a man sent to kill him, shown with the 1966 short The Little Chaos, about door-to-door salesmen who turn to crime. 323 Avenue of the Americas, at West Third Street, Greenwich Village, (212) 924-7771; $10.75. (Gates) NEW YORK JEWISH FILM FESTIVAL (Through Jan. 26) The 15th annual program opens Wednesday, sponsored by the Jewish Museum and the Film Society of Lincoln Center. Opening day offers the United States premiere of Guillaume Moscovitzs Belzec (2005), a French documentary about a Polish death camp, and two New York premieres. They are Jerry Blumenthal and Gordon Quinns Golub: Late Works Are the Catastrophes (2004), a follow-up to their first film on the artist Leon Golub, and Radu Mihaileanus Live and Become (2005), a drama about a young boy in a Sudanese refugee camp who takes on a Jewish identity. Walter Reade Theater, 165 West 65th Street, Lincoln Center, (212) 875-5600; $10. (Gates) PIXAR: 20 YEARS OF ANIMATION (Through Feb. 6) A complete retrospective of Pixar animated films continues at the Museum of Modern Art. This weeks films are Toy Story 2 (1999) and two Oscar-winning shorts, Geris Game (1997), about an old man playing chess, and For the Birds (2000), about a group of snobbish feathered friends. 11 West 53rd Street, Manhattan, (212) 708-9400; $10. (Gates) Pop Full reviews of recent concerts: nytimes.com/music. AKIM FUNK BUDDHA AND THE EBONYASIA PROJECT (Sunday) The American-born, Zimbabwe-raised Akim Ndlovu, who performs as Akim Funk Buddha, creates theatrical mash-ups involving dance, poetry, music and storytelling. Here he offers a program exploring Asian music and movement styles. 10 p.m., Zebulon, 258 Wythe Avenue, at Metropolitan Avenue, Williamsburg, Brooklyn, (718) 218-6934. No cover. (Laura Sinagra) ANTHRAX (Tomorrow) The amiable speed punk-metal band Anthrax had a tough time defending its name during the countrys post-9/11 bout with actual anthrax. After a decade and a half of quitting and reconciliations, the original band is back in support of a greatest-hits collection. God Forbid opens. 8 p.m., Nokia Theater, 1515 Broadway, at 44th Street, (212) 307-7171, ticketmaster.com; $25. (Sinagra) AUTORICKSHAW (Thursday) This Canadian quartet, consisting of the vocalist-pianist Suba Sankaran, the tabla player Ed Hanley, the bassist Rich Brown and the percussionist Debashis Sinha, mixes South Indian traditional sounds and Bollywood-flavored pieces with funk and jazz. 7:30 p.m., Joes Pub, at the Public Theater, 425 Lafayette Street, at Astor Place, East Village, (212) 239-6200; $15. (Sinagra) CHRIS BROWN (Tonight) Riding rough beats with a still discernable childlike sweetness on the single Run It, the frisky teenage R & B singer Chris Brown snags both the adult hip-hop crowd and younger fans who liked Ushers Yeah, despite not being quite sure what the lyrics were about. 8, Bergen Performing Arts Center, 30 North Van Brunt Street, Englewood, N.J., (201) 816-8160; $35 to $45. (Sinagra) CORDERO (Tuesday) Mixing the open atmospherics of the Southwest with the gritty feel of the Brooklyn art scene, the bilingual Ani Cordero (who has worked with Calexico and Giant Sand) and her band make guitar rock that gives urban brashness some borderland mystery. 7:30 p.m., Mercury Lounge, 217 East Houston Street, at Ludlow Street, Lower East Side, (212) 260-4700; $8. (Sinagra) THE BUSH TETRAS, MATT SWEENEY (Monday) The Bush Tetras are no-wave luminaries whose funky punk made them downtown stars in 1980, and who are now enjoying New Yorks return to the sound they helped invent. The local guitarist Matt Sweeney has been in the subcultural spotlight lately because of his Superwolf collaboration with Will Oldham. 9 p.m., Lit Lounge, 93 Second Avenue, near East Fifth Street, East Village, (212) 777-7987; no cover. (Sinagra) DAMON & NAOMI, WINGDALE COMMUNITY SINGERS (Tonight) After the bumpy breakup of the less-is-more indie-rock trio Galaxie 500, the drummer Damon Krukowski and the bassist Naomi Yang morphed into a ghostly dream-rock duo. They play tonight with the intimate, improvisatory horn players Bhob Rainey and Greg Kelley. In the Wingdale Community Singers, the atmospheric guitarist David Grubbs, the vocalist Hannah Marcus and the novelist Rick Moody get together and make literate Brooklynite folk. 8, Tonic, 107 Norfolk Street, at Delancey Street, Lower East Side, (212) 358-7501; $10. (Sinagra) DION (Monday) Dion DiMucci sang The Wanderer just as his wildest ups and downs were getting under way. His journey through the 70s and beyond involved folk-rock redirection, returns to doo-wop form, drugs, recovery and bouts of Christianity. Here he plays acoustic versions of songs by the likes of Robert Johnson, Willie Dixon and Hank Williams. 9:30 p.m., Joes Pub at the Public Theater, 425 Lafayette Street, at Astor Place, East Village, (212) 239-6200; $35 (sold out). (Sinagra) DIPLO (Tonight) This Philadelphia D.J. continues to explore hip-hops global permutations, weaving rap and new wave with dancehall and Brazilian baille funk. Bonus: All galleries are open. 9 p.m. to 1 a.m., Guggenheim Auditorium, 1071 Fifth Avenue, at 89th Street, (212) 423-3500; $15 (free for museum members). (Sinagra) THE DOUBLE, CELEBRATION, KYP MALONE (Tomorrow) The kaleidoscopic Double uses all the tools at its lo-fi disposal in service of arty pop undercut with burbles, dark surges and twinges. Celebrations noisy rock is a vehicle for the vocalist Katrina Fords guttural acrobatics. Kyp Malone is a vocalist and guitarist in the spacey TV on the Radio. For years a fixture on San Franciscos underground art scene, hes been doing his own thing lately. 8:30 p.m., Bowery Ballroom, 6 Delancey Street, near the Bowery, Lower East Side, (212) 533-2111; $12.(Sinagra) GREG GARING (Tonight) Greg Garing once mixed country with electronica, but hes moved steadily toward countrys roots, holding on to old-fashioned, heart-on-sleeve honky-tonk. 9, Sin-é, 150 Attorney Street, Lower East Side, (212) 388-0077; $10. (Jon Pareles) REBECCA GATES (Tuesday) As the lead singer and guitarist for the spare 90s duo the Spinanes, from Portland, Ore., Rebecca Gates wrote thoughtful but driving songs made more intimate by her low, breathy vocals. Lately shes been trying out new solo material. 7:30 p.m., Knitting Factory, 74 Leonard Street, TriBeCa, (212) 219-3006; $9. (Sinagra) BEN GIBBARD (Tuesday) The wistful, sad-voiced Death Cab for Cutie frontman (and the voice of the electronic offshoot Postal Service) will perform solo. 8 p.m., Bowery Ballroom, 6 Delancey Street, near the Bowery, Lower East Side, (212) 533-2111; $20 (sold out). (Sinagra) IMOGEN HEAP (Wednesday) Taking overproduced sheen to the far reaches of existential loneliness, Imogen Heaps single Hide and Seek sounds like the work of an a cappella boy band after facing off with the malevolent computer from 2001: A Space Odyssey. She ventures into shoe-gazey pop, too. Zoe Keating also plays. 7 p.m., Avalon, 662 Avenue of the Americas, at 20th Street, Chelsea, (212) 807-7780 or ticketmaster.com or (212) 307-7171; $20 in advance, $22 at the door. (Sinagra) IOs (Tomorrow) Just like the Canadian band Stars, the iOs remind you of that exuberant 90s moment when bands like Mavis Piggott and Madder Rose made it seem that smart girl voices over big guitars were the way of the future. The iOs have a guy singer, too. But as in Stars, the female voice is the more affecting. The Primms, the Sugarbeats and Jennifer OConnor also play. 9 p.m., Cake Shop, 152 Ludlow Street, near Stanton Street, Lower East Side, (212) 253-0036; $7. (Sinagra) IVY (Tonight) This dreamy pop trio -- the guitarist and producer Andy Chase, Andy Schlesinger of Fountains of Wayne and the sultry French singer-next-door Dominique Durand -- specializes in shimmery upbeat songs about evanescent love and wintery ennui. Matt Costa opens. 10, Bowery Ballroom, 6 Delancey Street, near the Bowery, Lower East Side, (212) 533-2111; $16 in advance, $18 at the door. (Sinagra) KAKANDE (Tomorrow) Famoro Dioubaté is a Guinean griot whose band, Kakande, makes music featuring balafon, African and European flutes and cello over electric bass, drums and congas. 10 p.m., Barbès, 379 Ninth Street, at Sixth Avenue, Park Slope, Brooklyn, (718) 965-9177; $5. (Sinagra) MORNINGWOOD, THE EXIT (Wednesday) Morningwood is a local band that plays muscularly melodic rock with a hint of 80s bar-pop panache. The bands singer, Chantal Claret, is often compared to the Pretenders Chrissie Hynde. The Exit, a guitar trio, makes melodic punk. Army of Me also plays. 7 p.m., Bowery Ballroom, 6 Delancey Street, near the Bowery, Lower East Side, (212) 533-2111;, $13 in advance, $15 at the door. (Sinagra) MUSETTE EXPLOSION (Tomorrow) Taking as inspiration the French accordion music of the 30s and 40s as well as Django Reinhardt-style jazz, Musette Explosion plays a kind of Gypsy hybrid thats different from the music of the currently proliferating Gypsy-punk scene. 6 p.m., Brooklyn Museum, 200 Eastern Parkway, at Prospect Park, Brooklyn, (718) 638-5000; free. (Sinagra) LAS RUBIAS DEL NORTE (Sunday) Led by the singers Allyssa Lamb and Emily Hurst, this band mixes musicians from the United States, France and Colombia who mine their Latin heritage in the performance of boleros, cha-chas, cumbias, huaynos and cowboy songs. 10 p.m., Rodeo Bar, 375 Third Avenue, at 27th Street, Manhattan, (212) 683-6500; no cover. (Sinagra) RYE COALITION (Tomorrow) Rye Coalition began as an angular rock band in the style of Fugazi but now mixes in more elements of 70s hard rock. 8 p.m., Knitting Factory, 74 Leonard Street, TriBeCa, (212) 219-3006; $10. (Sinagra) SA-RA (Wednesday) This hip-hop production group, made up of OmMas Keith, Taz Arnold and Shafiq Husayn, has produced songs for Common, Bilal and Erykah Badu, among others. It has its own soul-based songs as well, some of which will be released by Kanye Wests label next year. 10 p.m., Canal Room, 285 West Broadway, at Canal Street, Chinatown, (212) 941-8100; $10. (Sinagra) SOUTHSIDE JOHNNY & THE ASBURY JUKES (Tonight and tomorrow night) While his friend Bruce Springsteen left the Jersey Shore behind and went on to write all-American anthems and parables, Southside Johnny Lyon stuck to the old bar-band basics: rolling R & B vamps and raspy-voiced, good-natured soul plaints, complete with horn section. 8, B. B. Kings Blues Club and Grill, 237 West 42nd Street, Manhattan, (212) 997-4144; $35. (Sinagra) TEDDY THOMPSON (Wednesday) A British folk-rock scion, Teddy Thompson looks to distinguish himself from his parents, Richard and Linda, while still honoring their legacy. His baritone voice sounds like his fathers without the bite, not always a bad thing. 9 p.m., the Living Room, 154 Ludlow Street, near Stanton Street, Lower East Side, (212) 533-7235; no cover (suggested $5 donation). (Sinagra) LA TROUPE MAKANDAL (Tomorrow) La Troupe Makandal continues to bring the spiritually directed drumming, dancing and chanting voodoo rituals of Haiti to the larger public. Here, in a program called Carnival Dawn, the group concentrates on the rites of winter, particularly the koupe gato, a celebration of the festival of the Three Kings. 8 p.m., the Great Room at South Oxford Space, 138 South Oxford Street, Fort Greene, Brooklyn, (718) 953-6638; $15; students with ID and ages 65+, $10; children under 12, $5. (Sinagra) WE ARE SCIENTISTS, OXFORD COLLAPSE (Thursday) The pointy guitars and firecracker drums of this local band propel the tremulous pleas of Keith Murray into a full-on lust panic. Where similar bands like Hot Hot Heat can sound too studied, We Are Scientists makes its precise parts seem inspired. The trio Oxford Collapse offers shaggy art-rock that recalls acerbic forebears like the Embarrassment. Bishop Allen and the Kites also play. 8 p.m., Bowery Ballroom, 6 Delancey Street, near the Bowery, Lower East Side, (212) 533-2111; $13 (sold out). (Sinagra) Cabaret Full reviews of recent cabaret shows: nytimes.com/music. ANNIE ROSS (Wednesday) Cool, funny, swinging and indestructible, this 75-year-old singer and sometime actress exemplifies old-time hip in its most generous incarnation. 9:15 p.m., Dannys Skylight Room, 346 West 46th Street, Clinton, (212) 265-8133; $25, with a $12 minimum. (Stephen Holden) SINGING ASTAIRE (Tomorrow and Sunday) This smart, airy revue, which pays tribute to Fred Astaire, has returned, featuring Eric Comstock, Hilary Kole and Christopher Gines. 5:30 p.m., Birdland, 315 West 44th Street, Clinton, (212) 581-3080; $30, with a $10 minimum. (Holden) * ELAINE STRITCH (Tonight and tomorrow, and Tuesday through Thursday) Dispensing with her theatrical signature numbers, Ms. Stritch weaves 16 songs new to her repertory into a funny running monologue of her adventures in and out of show business. 8:45 p.m., Cafe Carlyle, Carlyle Hotel, 35 East 76th Street, Manhattan, (212) 744-1600; $125; dinner, which is required, is served at 6:30. (Holden) Jazz Full reviews of recent jazz concerts: nytimes.com/music. ANDERSKOV ACCIDENT (Wednesday) The Danish keyboardist Jacob Anderskov leads this electro-acoustic project, which released its strong second album, Unity of Action, last year; for this rare New York engagement, the bands personnel will include the trumpeter Cuong Vu, the multireedist Chris Speed and the trombonist Peter Dahlgren, among others. 8 p.m., Cornelia Street Café, 29 Cornelia Street, West Village, (212) 989-9319; cover, $10, with a one-drink minimum. (Nate Chinen) PETER BERNSTEIN QUARTET (Thursday through Jan. 14) Mr. Bernstein, a guitarist with a clean tone and a crisp technique, rounds up some estimable longtime compatriots: the pianist Brad Mehldau, the bassist Doug Weiss and the drummer Bill Stewart. 9 and 11 p.m. and 12:30 a.m., Smoke, 2751 Broadway, at 106th Street, (212) 864-6662; cover, $30, with a $10 minimum. (Chinen) MICHAEL BISIO (Tonight) The physicality of Mr. Bisios bass playing puts him in touch with numerous predecessors in the avant-garde, but his expressive touch is distinctive; he plays an early set with a quartet featuring the saxophonist Avram Fefer, and a later set in trio with the pianist Matthew Shipp and the drummer Jay Rosen. 8 and 10, the Stone, Avenue C and Second Street, East Village, www.thestonenyc.com; cover, $10. (Chinen) BUSHWACKED (Wednesday) The title of this avant-garde oratorio by the saxophonist Mark Whitecage provides a good indication of its political bent and degree of subtlety; the pieces New York premiere will feature Roy Campbell Jr. on trumpet and vocals, Rozanne Levine on clarinet, Joe Fonda on bass and Jay Rosen on drums. 8 p.m., the Stone, Avenue C and Second Street, East Village, www.thestonenyc.com; cover, $10. (Chinen) RAVI COLTRANE QUARTET (Tuesday) As on the excellent recent album In Flux (Savoy), Mr. Coltrane places his tenor and soprano saxophones against the cohesive stirrings of a working band: the pianist Luis Perdomo, the bassist Drew Gress and the drummer E. J. Strickland. 10 p.m., Tonic, 107 Norfolk Street, near Delancey Street, Lower East Side, (212) 358-7501; cover, $15, $12 in advance. (Chinen) * DETROIT: MOTOR CITY JAZZ (Thursday through Jan. 14) The bassist Ron Carter leads this conceptual study of Detroits undervalued jazz legacy, touching on the music of Milt Jackson, Kenny Burrell and Barry Harris; also on hand are the saxophonists Yusef Lateef and Charles McPherson, the trumpeter Marcus Belgrave and the trombonist Curtis Fuller. 8 p.m., Frederick P. Rose Hall, Jazz at Lincoln Center, 60th Street and Broadway, (212) 721-6500, www.jalc.org; $30 to $130. (Chinen) KURT ELLING (Tuesday through Jan. 14) Mr. Ellings sure-footed musicality and literary sensibility have made him one of the premier vocalists of our time; he comes with a flexible rhythm section, spearheaded by the pianist Laurence Hobgood. 9 and 11 p.m., Birdland, 315 West 44th Street, Clinton, (212) 581-3080; cover, $40, with a $10 minimum. (Chinen) PETER EPSTEIN/BRAD SHEPIK/MATT KILMER (Tuesday) As on the album Lingua Franca (Songlines), this trio blends world folk influences with jazz improvisation; Mr. Epsteins alto saxophone, Mr. Shepiks guitar and Mr. Kilmers percussion each play an equal role in the collective. A preceding set, at 10 p.m., will feature Crunch, a band composed of Mr. Epstein, the bassist J. Anthony Granelli and the slide guitarist David Tronzo. 11 p.m., Bowery Poetry Club, 308 Bowery, between Houston and Bleecker Streets, East Village, (212) 614-0505; cover, $8. (Chinen) THE MUSIC OF TOMMY FLANAGAN AND MILT JACKSON (Tuesday through Jan. 15) Tommy Flanagan and Milt Jackson were, respectively, a grippingly erudite pianist and a sophisticatedly bluesy vibraphonist; this tribute features the worthy inheritors Renee Rosnes and Steve Nelson on piano and vibes, and the sterling rhythm team of Peter Washington and Lewis Nash on bass and drums. 7:30 and 9:30 p.m., with an 11:30 set on Fridays and Saturdays, Dizzys Club Coca-Cola, Frederick P. Rose Hall, Jazz at Lincoln Center, 60th Street and Broadway, (212) 258-9595; cover, $30, with a minimum of $10 at tables, $5 at the bar.(Chinen) THE FOUR BAGS (Sunday) The instrumental palette of this collaborative quartet -- trombone, accordion, guitar and reeds -- creates the impression of a contemporary chamber jazz; so does the repertory, which includes arrangements of Chopin and Brian Wilson, along with thoughtful original compositions. 7 p.m., Barbès, 376 Ninth Street, at Sixth Avenue, Park Slope, Brooklyn, (718) 965-9177; cover, $8. (Chinen) CURTIS FULLER AND LOUIS HAYES (Thursday) Mr. Fuller, the trombonist, and Mr. Hayes, the drummer, were both prominent participants in the golden era of hard-bop; here they enlist Mulgrew Miller on piano and Robert Hurst on bass, and spotlight a couple of young trumpeters on the rise, Maurice Brown and Sean Jones. 11:30 p.m. and 1 a.m., Sweet Rhythm, 88 Seventh Avenue South, at Bleecker Street, West Village, (212) 255-3626; cover, $25, with a $10 minimum. (Chinen) CHICO HAMILTON AND FRIENDS (Thursday) Since the 1940s, Mr. Hamilton has practiced a perceptive and colorful approach to jazz percussion; he performs here with a number of younger colleagues. 8 p.m., Makor, 35 West 67th Street, Manhattan, (212) 601-1000; cover, $15. (Chinen) JOHN HEBERT QUARTET (Tonight) Mr. Hebert, a bassist with experimental tendencies and compositional ambitions, leads a versatile group with the guitarist John Abercrombie, the tenor saxophonist Adam Kolker and the drummer Bob Meyer. 10 p.m., Detour, 349 East 13th Street, East Village, (212) 533-6212; cover, $10, with a two-drink minimum. (Chinen) JOHN HOLLENBECKS CLAUDIA QUINTET (Thursday) This improvising chamber ensemble pursues texturally oriented and often contrapuntal exploration; Mr. Hollenbecks drumming is one color on a palette that also includes Chris Speeds clarinet and tenor saxophone, Ted Reichmans accordion and Matt Morans vibraphone. They share their billing with Jazz Big Band Graz, an accomplished group from Austria. 8 p.m., Tonic, 107 Norfolk Street, near Delancey Street, Lower East Side, (212) 358-7501; cover, $10 and one-drink minimum. (Chinen) INDO-PAK (Thursday) The alto saxophonist Rudresh Mahanthappa leads this new trio, which fuses Indian music with jazz improvisation; his partners are Rez Abbasi on guitar and Dan Weiss on tabla. 9:30 p.m., Joes Pub, 425 Lafayette Street, at Astor Place, East Village, (212) 539-8778; cover, $15, with a two-drink minimum. (Chinen) MAT MANERI GROUP (Thursday) On the recent album Pentagon (Thirsty Ear), the violinist and violist Mat Maneri plugged into electric fusion without forsaking the tenor and thrust of free-jazz; he reprises those explorations in a group featuring his father, Joe Maneri, on reeds, along with Jacob Sacks on piano, John Hebert on bass and Gerald Cleaver and John McLellan on drums. 8 and 10 p.m., Barbès, 376 Ninth Street, at Sixth Avenue, Park Slope, Brooklyn, (718) 965-9177; cover, $10 per set. (Chinen) ANDY MILNE AND DAPP THEORY (Sunday and Wednesday) With Dapp Theory, the keyboardist Andy Milne fashions a contemporary fusion explicitly indebted to hip-hop; his band includes Loren Stillman on saxophones, Janek Gwizdala on bass, Sean Rickman on drums and John Moon on percussion and spoken word. Sunday at 8 and 10 p.m., Sweet Rhythm, 88 Seventh Avenue South, at Bleecker Street, West Village, (212) 255-3626; cover, $10, with a $10 minimum; no cover for students with ID. Wednesday at 10 p.m., Barbès, 376 Ninth Street, at Sixth Avenue, Park Slope, Brooklyn, (718) 965-9177; cover, $8. (Chinen) BOB MINTZER BIG BAND (Tonight and tomorrow night) Mr. Mintzer, a saxophonist and decade-long member of the Yellowjackets, has led this 16-piece outfit for roughly the same span; its a brightly brassy ensemble with a modernistic sheen. 8 and 10 and midnight, Sweet Rhythm, 88 Seventh Avenue South, at Bleecker Street, West Village, (212) 255-3626; cover, $20, with a $10 minimum. (Chinen) BEN MONDER TRIO (Tuesday) In the hands of Mr. Monder, the electric guitar is a coloristic instrument first and foremost; his fine recent album, Oceana (Sunnyside), showcases both his dizzyingly proficient solo puzzles and his coolly convoluted pieces for trio. 7:30 and 9:30 p.m., Jazz Standard, 116 East 27th Street, Manhattan, (212) 576-2232; cover, $20. (Chinen) JAMES MOODY QUARTET (Tonight and tomorrow) Like his mentor, Dizzy Gillespie, the alto saxophonist James Moody is a stalwart bebopper and one of jazzs most ebullient entertainers; he leads a solid group consisting of the pianist Renee Rosnes, the bassist Todd Coolman and the drummer Adam Nussbaum. 9 and 11 p.m., Birdland, 315 West 44th Street, Clinton, (212) 581-3080; cover, $40, with a $10 minimum. (Chinen) A TRIBUTE TO DANNY MOORE (Tonight and tomorrow) The trumpeter Danny Moore, who died last February, was the quintessential musicians musician. Fittingly, this tribute features players with similar reputations: the tenor saxophonist George Coleman, the pianist Anthony Wonsey, the drummer Joe Farnsworth and the bassist John Webber. 9 and 11 p.m., and 12:30 a.m., Smoke, 2751 Broadway, at 106th Street, (212) 864-6662; cover, $30, with a $10 minimum. (Chinen) JOE MORRIS TRIO WITH KEN VANDERMARK (Tuesday) Mr. Morris is a guitarist who applies the clear tone of Jim Hall to darker and pricklier purposes; he performs here with another uncompromising explorer, the multireedist Ken Vandermark, and a frequent collaborator, the drummer Luther Gray. 8 p.m., Tonic, 107 Norfolk Street, near Delancey Street, Lower East Side, (212) 358-7501; cover, $10. (Chinen) * NYC JAZZ ALTERNATIVES: THE NEW GENERATION (Wednesday) This one-night mini-festival rounds up half a dozen groups from the margins of jazz culture: Gutbucket, a raucous jam band; Rashanim, an avant-garde klezmer group; Okkyung Lee, an adventurous cellist; a pair of trios led by the pianist Benny Lackner and the trombonist Jacob Garchik; and a plugged-in sextet led by the trumpeter Shane Endsley. It wont be a survey of jazzs new generation so much as a series of snapshots, intriguing and inconclusive. 8 p.m., Tonic, 107 Norfolk Street, near Delancey Street, Lower East Side, (212) 358-7501; cover, $12. (Chinen) GRETCHEN PARLATO (Tonight and Monday) The lilting cadence and mellow sonority of Ms. Parlatos voice have earned her a good many casual admirers; a recent deluge of critical acclaim has more to do with her musicianship, underscored here by a deep rapport with the guitarist Lionel Loueke. Tonight at 6,, 55 Bar, 55 Christopher Street, West Village, (212) 929-9883; no cover. Monday at 7:30 and 9:30 p.m., Jazz Standard, 116 East 27th Street, Manhattan, (212) 576-2232; cover, $15. (Chinen) JEREMY PELT QUARTET (Thursday) The clarion tone and preternatural poise of Mr. Pelts trumpet playing have earmarked him as a rising star in the jazz mainstream; as on his recent album Identity (MaxJazz), he plays here with the pianist Frank LoCrasto, the bassist Vicente Archer and the drummer Eric McPherson. 7:30 and 9:30 p.m., Jazz Standard, 116 East 27th Street, Manhattan, (212) 576-2232; cover, $20. (Chinen) RE: ARRANGED: THE MUSIC OF JACO PASTORIUS, GIL EVANS, LENNON & McCARTNEY (Tuesday through Jan. 15) The sweep of this project, which clearly runs the risk of incoherence, could be a perfect challenge for the pianist and accordionist Gil Goldstein, one of the most resourceful arrangers in jazz today. Just as promising is the lineup, featuring the trumpeter Randy Brecker, the saxophonist Chris Potter, the vibraphonist Mike Mainieri, the bassist Richard Bona, the percussionist Don Alias and an improvising string trio led by the violinist Joyce Hammann. 8 and 10:30 p.m., Blue Note, 131 West Third Street, Greenwich Village, (212) 475-8592; cover, $35 at tables, with a $5 minimum or $20 at the bar, with a one-drink minimum. (Chinen) * KURT ROSENWINKEL GROUP (Tuesday through Jan. 15) Mr. Rosenwinkel is almost certainly the most widely hailed jazz guitarist under 40, especially among musicians; his deeply sympathetic rapport with the tenor saxophonist Mark Turner provides the focal point of this shadowy and slippery ensemble, which also includes Aaron Goldberg on piano, Joe Martin on bass and Eric Harland on drums. 9 and 11 p.m., Village Vanguard, 178 Seventh Avenue South, at 11th Street, West Village, (212) 255-4037; cover, $20 to $25, with a $10 minimum. (Chinen) LOREN STILLMAN QUARTET (Wednesday) With his recent album, It Could Be Anything (Fresh Sound New Talent), Mr. Stillman reinforces his reputation as an alto saxophonist with an inquisitive relationship to jazz tradition; he performs here with Jacob Sacks on piano, Scott Lee on bass and Jeff Hirschfield on drums. 8 p.m., Barbès, 376 Ninth Street, at Sixth Avenue, Park Slope, Brooklyn, (718) 965-9177; cover, $8. (Chinen) STEVE WILSON QUARTET WITH NICHOLAS PAYTON (Through Sunday) An alto saxophonist with a dry tone but a rounded sense of phrase, Mr. Wilson recruits a well-established rhythm section -- Bruce Barth on piano, Ed Howard on bass and Adam Cruz on drums -- and locks horns with Mr. Payton, one of the outstanding trumpeters of our time. 7:30 and 9:30 p.m., with an 11:30 set tonight and tomorrow night, Jazz Standard, 116 East 27th Street, Manhattan, (212) 576-2232; cover, $20 and $25. (Chinen) Classical Full reviews of recent music performances: nytimes.com/music. Opera LELISIR DAMORE (Tomorrow) The good news of the Mets revival of its 1991 production of Donizettis Elixir of Love is the entrancing performance of Ruth Ann Swenson as Adina. Some opera buffs have long found Ms. Swensons work vocally exquisite but temperamentally bland. Here she brings a breezy comic grace to the role of a wealthy young landowner in an Italian village who thinks herself immune to sentimental notions about love, until the painfully shy peasant Nemorino gets through to her. Ms. Swenson sings with her trademark creamy sound, effortful richness and impressive agility. The tenor Ramón Vargas is an ardent and endearing Nemorino. Maurizio Barbacini conducts. 1:30 p.m., Metropolitan Opera House, Lincoln Center, (212) 362-6000; $42 to $220. (Anthony Tommasini) DIE FLEDERMAUS (Tomorrow) Most stagings of Strausss ever-popular operetta, including some revivals of the Mets 1986 Otto Schenk production, seem uncomfortable with the mix of silliness and cynicism in the story of playful infidelities in 1870s Vienna. But the Metropolitan Operas current presentation boasts a winning cast of singers who, for the most part, take the story seriously and give subtle portrayals, especially Bo Skovhus as the ladies man Eisenstein, Sondra Radvanovsky as his knowing wife, Marlis Petersen as the perky chambermaid and Earle Patriarco as the wily Dr. Falke. Jacques Lacombe conducts a lithe and fresh performance. And with the comedic actor Bill Irwin as the drunken jailor Frosch, the show has plenty of hilarity. 8 p.m., Metropolitan Opera House, Lincoln Center, (212) 362-6000; $42 to $220. (Tommasini) H.M.S. PINAFORE, THE MIKADO (Tonight, tomorrow, Sunday, Tuesday and Thursday) The New York Gilbert and Sullivan Players are a small city institution in their own right, dedicated to presenting polished light-opera performances. Two of the most popular are this winters fare, as well as a concert of other highlights on Thursday night. Pinafore, tonight at 8 and tomorrow at 2 p.m.; Mikado, tomorrow at 8 p.m., Sunday at 3 p.m., and Tuesday at 7 p.m.; Quintessential G&S concert, Thursday at 8 p.m., City Center, 131 West 55th Street, Manhattan, (212) 581-1212; $40 to $86. (Anne Midgette) WOZZECK (Tonight) Alban Bergs bleak atonal opera may not strike many people as quite the thing to usher in the New Year. But James Levine is a masterly interpreter of this musically stunning and dramatically compelling work, which he keeps bringing back to the Met in a noble effort to make Wozzeck essential to the companys repertory. With Mark Lamoss arrestingly abstract 1997 production and an inspired cast led by Alan Held in the title role, this revival should be seen by all serious opera fans. Mr. Levine elicits a searingly beautiful performance from the great Met orchestra. 8, Metropolitan Opera House, Lincoln Center, (212) 362-6000; $36 to $205. (Tommasini) Classical Music AVALON STRING QUARTET (Thursday) This young quartet offers the first of its two Romantic Frontiers concerts (the second is on Jan. 14). The program is Beethovens Quartet in F (Op. 59, No.1) and Schoenbergs Quartet No. 1. 8 p.m., Merkin Concert Hall, 129 West 67th Street, Manhattan, (212) 501-3330; $20; $10 for students and 65+. (Allan Kozinn) JUPITER SYMPHONY CHAMBER PLAYERS (Monday) In the spirit of its idiosyncratic founder, Jens Nygaard, this feisty ensemble offers programs that combine oddities and familiar works. The ensemble and its guests -- including Mikhail Kopelman, the former first violinist of the Borodin String Quartet, and his daughter, Elizaveta Kopelman, a pianist -- perform Griegs Movement in C minor, Elgars Harmony Music 5 and a Rimsky-Korsakov piano trio. 2 and 7:30 p.m., Good Shepherd Presbyterian Church, 152 West 66th Street, Manhattan, (212) 799-1259; $10 to $25. (Kozinn) MET ORCHESTRA (Sunday) Three realms of the soprano Renée Flemings repertory are explored in this concert by the Met Orchestra, with James Levine conducting. She sings the Letter Scene from Tchaikovskys Eugene Onegin, the closing scene from Strausss Capriccio and, of special interest, the harmonically murky and expressionistic Altenberg Lieder of Alban Berg. Mr. Levine also offers performances of Tchaikovskys Romeo and Juliet fantasy overture and Wagners Overture and Bacchanale from Tannhäuser. 3 p.m., Carnegie Hall, (212) 247-7800; $46 to $155. (Tommasini) NEW YORK PHILHARMONIC (Tonight, tomorrow, Tuesday and Thursday) The young Canadian violinist James Ehnes joins Lorin Maazel and the New York Philharmonic to play Waltons sumptuous and too rarely heard Violin Concerto at the New Jersey Performing Arts Center and at Avery Fisher Hall. On Thursday, the superb English conductor Jonathan Nott takes over, leading a program that includes Strausss Alpine Symphony and John Coriglianos Red Violin, a 2003 concerto based on themes from Mr. Coriglianos score for the film The Red Violin. Joshua Bell, for whom the piece was composed, is the soloist. Tonight at 8, New Jersey Performing Arts Center, 1 Center Street, Newark, (888) 466-5722; $27 to $92. Tomorrow at 8 p.m., Tuesday and Thursday at 7:30 p.m., Avery Fisher Hall, Lincoln Center, (212) 721-6500; $26 to $99. (Kozinn) NEW YORK PHILHARMONIC ENSEMBLES (Sunday) Members of the Philharmonic have one of their periodic chamber-music gatherings in an offbeat program of Bridge, Prokofiev, Enescu, Diamond and Françaix. 3 p.m., Merkin Concert Hall, 129 West 67th Street, Manhattan, (212) 501-3330; $29. (Bernard Holland) RICHARD TUCKER FOUNDATION GALA (Wednesday) Perhaps responding to the increase of cancellations by big-name singers in past seasons, the annual Tucker gala has downsized this year, moving from Avery Fisher Hall to Alice Tully Hall and focusing less on superstars than on rising young talents. Not that theyre unknown quantities: most, like Laquita Mitchell, Jennifer Aylmer, Carolyn Betty and Jordan Bisch, have active performing schedules. The master of ceremonies is Denyce Graves, while the tenor Matthew Polenzani makes a belated appearance to compensate for the fact that he couldnt attend the gala in 2004, the year he won the foundation award. 7:30 p.m., Alice Tully Hall, Lincoln Center, (212) 721-6500; $75 and $100. (Midgette) Dance Full reviews of recent performances: nytimes.com/dance. LORI BELILOVE & COMPANY (Opens Thursday) From Russia With Love, a program inspired by the troupes recent tour of Russia, features dances choreographed by Isadora Duncan when that great modern-dance pioneer visited Russia early in the 20th century. (Through Jan. 14.) 7:30 p.m., Isadora Duncan Dance Foundation Studios, 141 West 26th Street, Chelsea, (212) 691-5040, www.isadoraduncan.org; $25 in advance, $30 at the door. (Jack Anderson) A CELEBRATION OF JUILLIARD DANCE: THE MARTHA HILL YEARS (Thursday) In this free anniversary program, a panel including Daniel Lewis, Dennis Nahat and Michael Uthoff will discuss the schools growth under the direction of the feisty Hill. 6 p.m., New York Public Library for the Performing Arts, Bruno Walter Auditorium, 111 Amsterdam Avenue, at 65th Street, Lincoln Center, (212) 642-0142. (Jennifer Dunning) DANCE CONVERSATIONS AT THE FLEA (Tuesday) This free performance and discussion series, moderated this week by John Jasperse, features Rebecca Lazier, Peter Schmitz, Tommy Noonan and Diane Vivona. 7 p.m., Flea Theater, 41 White Street, between Broadway and Church Streets, TriBeCa, (212) 226-2407, www.TheFlea.org. (Dunning) * DANCE ON CAMERA (Today, tomorrow and Tuesday) New Yorks (and Americas) premier festival of dance films continues at the Walter Reade Theater with varied programs through Jan. 14. The ones today at 1 p.m. and 3:30 p.m. and tomorrow at 8:30 p.m. can be especially recommended among this weeks offerings. There is also a program of shorts on Sunday at 8 p.m. at the Galapagos Art Space in Williamsburg, Brooklyn, and a panel discussion on Tuesday at the Donnell Media Center. Today at 1, 3:30, 6:15 and 8:30 p.m.; tomorrow at 1, 4, 6:15 and 8:30 p.m.; Tuesday at 1 and 3:30 p.m. Walter Reade Theater, 165 West 65th Street, Lincoln Center, (212) 496-3809, www.filmlinc.com; $10. Sunday at 8 p.m., Galapagos Art Space, 70 North Sixth Street, Williamsburg, Brooklyn, (718) 782-5188; $5. Tuesday at 6 p.m., Donnell Media Center, New York Public Library, 20 West 53d Street, Manhattan; free. Complete schedule at www.dancefilmsassn.org. (John Rockwell) DANCE THEATER OF HARLEM OPEN HOUSE SERIES (Sunday) This months program, Celebrating Dr. Kings World House Vision, will include the guest artists Amir Vahab in a performance of Sufi music; Jean Freeman in Bharata Natyam dance; the mezzo-soprano Carolyn Sebron; and the Nai Ni Chen Dance Company. 1 and 3:30 p.m., Dance Theater of Harlem, 466 West 152nd Street, between Amsterdam and St. Nicholas Avenues, (212) 690-2800, www.dancetheatreofharlem.org; $8 for adults and $4 for children 12 and under (1 p.m. performance); and $18 for adults and $14 for children 12 and under (3:30 performance, which includes a reception).(Dunning) ANDREA DEL CONTE DANZA ESPAñA (Thursday) Guest artists include the singer Sanghametra Chatterjee, the tabla player Dibyarka Chatterjee and the Niños de Flamenco Performance Group. (Through Jan. 15.) 8 p.m., Joyce SoHo, 155 Mercer Street, between Houston and Prince Streets, (212) 334-7479, www.joyce.org; $50 (opening gala and reception only). (Dunning) FAMILY MATTERS: DANCES BY VERY YOUNG CHOREOGRAPHERS (Tonight and tomorrow) Students of Ellen Robbins will present their own dances. Tonight at 7:30; tomorrow at 2 and 7:30 p.m., Dance Theater Workshop, 219 West 19th Street, Chelsea, (212) 924-0077, www.dtw.org; $20 for adults; $10 for children.(Dunning) FIRST WEEKENDS NEW PERFORMANCE AND DISCUSSION SERIES (Tonight and tomorrow night) New works by Milka Djordjevich, Alicia Díaz, Jack Marion Ramírez and MOB Productions will be followed by discussions with the dancers. 8, Brooklyn Arts Exchange, 421 Fifth Avenue, Park Slope, Brooklyn, (718) 832-0018, www.bax.org; $15; members, $10; low income, $8. (Anderson) FULL CIRCLE (Opens Wednesday) Innaviews takes a look at the lives of hip-hop dancers. (Through Jan. 14.) 7:30 p.m., Dance Theater Workshop, 219 West 19th Street, Chelsea, (212) 924-0077; $20 and $12. (Anderson) LAVA (Tonight through Feb. 19) Sara East Johnsons w(HOLE) traces the course of cosmic evolution with the aid of dance, acrobatics and trapeze acts. Thursdays through Saturdays at 7 p.m., Sundays at 5 p.m., Flea Theater, 41 White Street, between Broadway and Church Streets, TriBeCa, (212) 352-3101; $25; $15 for students and 65+. (Anderson). EARL MOSLEYS DIVERSITY OF DANCE INC. (Tomorrow and Sunday) A portion of the proceeds from More Dance, More Hope, a program of new works and a revival that includes the guest artists Christopher Huggins, Troy Powell and Dwana Smallwood, will go to the New Orleans Musicians Hurricane Relief Fund. 7 p.m., Martin Luther King High School Auditorium, 122 Amsterdam Avenue, at 65th Street, (347) 365-4029; $18 and $16; $10 for students and 65+ (cash only). (Dunning) * NEW YORK CITY BALLET (Today through Sunday, and Tuesday through Thursday) Its all Swan Lake all the time this week, except for a mixed-bill program tomorrow night. Peter Martinss version of this ornithological classic is well worth seeing, and the casts will shift throughout the run. Tonight, tomorrow night and Thursday night at 8.; tomorrow afternoon at 2; Sunday at 3 p.m.; Tuesday and Wednesday at 7:30 p.m. New York State Theater, Lincoln Center, (212) 870-5570, www.nycballet.com; $30 to $86. (Rockwell) SUNDAYS @ THREE: CALPULLI MEXICAN DANCE COMPANY (Sunday) This informal performance and discussion series will feature a young troupe performing traditional Mexican dance and music and Aztec and Spanish dance forms. 3 p.m., 92nd Street Y Harkness Dance Center, 1395 Lexington Avenue, (212) 415-5500; $10. (Dunning) CASSIE TERMAN AND SHINICHI MOMO KOGA (Tonight and tomorrow night) Known as the Fred Astaire of Butoh, Mr. Koga will perform The Smallest Country, a program of improvised duets, with Ms. Terman, who trained in physical theater with Ruth Zaporah. 8, CRS, 123 Fourth Avenue, between 12th and 13th Streets, East Village, (212) 352-3101; $12. (Dunning) Art Museums and galleries are in Manhattan unless otherwise noted. Full reviews of recent art shows: nytimes.com/art. Museums ASIA SOCIETY: VIETNAM: DESTINATION FOR THE NEW MILLENNIUM -- THE ART OF DINH Q. LE, through Jan. 15. Born in Vietnam, Mr. Le moved to the United States at 11 and received a Master of Fine Arts degree from the School of Visual Arts in New York. This small exhibition presents high-concept photographic and sculptural works about the Vietnam War and its effects, as well as a pair of sleek sculptures representing communications satellites that satirize Vietnams plans to enter the Space Age and the global consumerist economy. 725 Park Avenue, at 70th Street, (212) 288-6400.(Ken Johnson) BROOKLYN MUSEUM: EDWARD BURTYNSKY: MANUFACTURED LANDSCAPES, through Jan. 15. Large, expertly made color images by a Canadian photographer show industrial subjects like marble quarries in India, a tire dump in California and modern development in China. 200 Eastern Parkway, at Prospect Park, (718) 638-5000. (Johnson) CHELSEA ART MUSEUM: THE BODY IMAGE IN CRISTÓBAL GABARRÓNS ART, 1963-2005, through Jan. 14. A member of the mid-20th-century European Informal art movement based on mentally improvised rather than formal motifs, this Spanish artist is concerned with the body, but not in its traditional manifestations. His abstractions and semiabstractions give it a morphing, metaphysical presence; sometimes they involve the depiction of actual body parts, but they rely more on textures, colors and vague forms to evoke the bodys ever-shifting sense of itself. But for all the blustery vigor on display, the work gives the viewer a powerful sense of been-there-seen-that. 556 West 22nd Street, (212) 255-0719.(Grace Glueck) * COOPER-HEWITT NATIONAL DESIGN MUSEUM: FASHION IN COLORS, through March 26. Drawn from the collection of the Kyoto Costume Institute in Japan, this sumptuous show arranges 68 often lavish Western gowns and ensembles according to the colors of the spectrum and reinforces their progress with a posh color-coordinated installation design. For an experience of color as color, it is hard to beat, but it also says a great deal about clothing, visual perception and beauty. 2 East 91st Street, (212) 849-8400. (Roberta Smith) INTERNATIONAL CENTER OF PHOTOGRAPHY: AFRICAN-AMERICAN VERNACULAR PHOTOGRAPHY, through Feb. 26. These days, collectors and curators prize vernacular photographs -- commercial studio portraits, postcards, snapshots and other sorts of often anonymous photographic kitsch. Here that trend intersects with a commitment to photography as a form of social documentation in an exhibition of about 70 vernacular photographs depicting African-Americans from 1860 to 1940. 1133 Avenue of the Americas, at 43rd Street, (212) 857-0000. (Johnson) * JAPAN SOCIETY: HIROSHI SUGIMOTO: HISTORY OF HISTORY, through Feb. 19. A personal, whimsical exhibition by this well-known Japanese photographer who incorporates into his work artifacts he has collected, particularly from East Asia and Japan. Mr. Sugimotos reach is long and his range is broad, from fossils to textiles to undersea dioramas to Japanese calligraphy to the Trylon and Perisphere (a minisculpture) that symbolized the 1939 New York Worlds Fair. 333 East 47th Street, (212) 832-1155. (Glueck) JEWISH MUSEUM: SARAH BERNHARDT: THE ART OF HIGH DRAMA, through April 2. This exhibition is devoted to the flamboyant 19th-century actress whose name was once invoked by mothers as a warning to melodramatic daughters: Who do you think you are, Sarah Bernhardt? Its almost overstuffed roster of items includes original Félix Nadar photos of Bernhardt at 20 and the costumes she wore as Cleopatra and Joan of Arc. 1109 Fifth Avenue, at 92nd Street, (212) 423-3200. (Edward Rothstein) * METROPOLITAN MUSEUM OF ART: FRA ANGELICO, through Jan. 29. An exhibition as rare as it is sublime brings the divine Angelico down to earth, showing how he had the best of both worlds, using the innovations of the Renaissance to parlay the radiant colors, gilded surfaces and doll-like figures of Gothic art into a final flowering. Fifth Avenue and 82nd Street, (212) 535-7710. (Smith) MET: DAVID MILNE: PAINTING TOWARD THE LIGHT, through Jan 29. Watercolors by a Canadian painter little known in the United States, although he spent some 25 years in New York City and other parts of the state. In his quiet, spare renditions of urban vignettes, country landscapes, trees and domestic life, David Milne (1882-1953) focused mainly on aesthetic matters, like color, line and light, while skirting the avant-garde. (See above.) (Glueck) * MET: ROBERT RAUSCHENBERG: COMBINES, through April 2. Big and handsome almost to a fault. Theres something weird about seeing once joyfully rude and over-the-top contraptions from the 1950s and 60s lined up like choirboys in church, with their ties askew and shirttails out. But even enshrined, the combines still manage to seem incredibly fresh and odd, almost otherworldly. I thought of a medieval treasury -- all the rich colors and lights and intricate details. The most beautiful tend to be the early ones: large but delicate, with a subtle, fugitive emotional pitch. (See above.) (Michael Kimmelman) * MUSEUM OF MODERN ART: BEYOND THE VISIBLE: THE ART OF ODILON REDON, through Jan. 23. The timing was off for the big Odilon Redon retrospective in Chicago in 1994. The art worlds mind was on identity politics and neoconceptualism. Fin-de-siècle drawings of moony monsters and lamp-bright flowers existed on some other planet. Now theres another Redon survey, smaller, very beautiful, culminating in his lush, pixilated late paintings. And the timing for it is just right. 11 West 53rd Street, (212) 708-9400. (Holland Cotter) MUSEUM OF MODERN ART: PIXAR: 20 YEARS OF ANIMATION, through Feb. 6. With more than 500 drawings, collages, storyboards and sculptured models by 80 artists; numerous projections; and a mesmerizing three-dimensional zoetrope, this exhibition offers a detailed glimpse of the creative and technological processes behind such computer-animation wonders as Toy Story, Monsters, Inc. and Finding Nemo. In the end, nothing has as much art or magic as these films themselves, but the concentrated effort and expertise that go into them is nonetheless something of a wonder, too. (See above.) (Smith) EL MUSEO DEL BARRIO: THE (S) FILES/THE SELECTED FILES 05, through Jan. 29. The definition of what Latino art means is changing in a post-identity-politics time, and this modest biennial, drawn mostly from unsolicited proposals submitted by artists in the greater New York area, is an indicator of what that change looks like. 1230 Fifth Avenue, at 104th Street, (212) 831-7272. (Cotter) NEUE GALERIE: EGON SCHIELE: THE RONALD S. LAUDER AND SERGE SABARSKY COLLECTIONS, through Feb. 20. This extensive exhibition mostly of works on paper gives an informative account of the regrettably brief career of one of the 20th centurys great draftsmen and romantic rebels. Schieles self-portraits, drawings and watercolors of sexy young women still burn with fires of narcissistic yearning, erotic desire and bohemian dissent. 1048 Fifth Avenue, (212) 628-6200. (Johnson) ONASSIS CULTURAL CENTER: FROM BYZANTIUM TO MODERN GREECE: HELLENIC ART IN ADVERSITY, 1453-1830, through May 6. This show is a busy, ambitious hodgepodge that sets out to present all aspects of the visual art in Greece during this period. The range spans wonderful early paintings and icons, like a panel by the youthful El Greco; examples of domestic crafts practiced by Greek women; jewelry and church ornaments; and maps and charts. 645 Fifth Avenue, at 52nd Street, (212) 486-4448. (Glueck) * RUBIN MUSEUM OF ART : WHAT IS IT? HIMALAYAN ART, For a basic guide to the art of Tibet and Nepal, you will do no better than to take a slow walk through this new show, which, using an array of gorgeous objects, distills knotty visual and spiritual systems to a soothing but stimulating entry-level form. 150 West 17th Street, Chelsea, (212) 620-5000. (Cotter) * STUDIO MUSEUM IN HARLEM: FREQUENCY, through March 12. Despite some marked unevenness, this display of new and recently emerged talent confirms the current vitality of black art, contemporary art and midsize New York museums. Names to look out for include Kalup Linzy, Leslie Hewitt, Jeff Sonhouse, Shinique Amie Smith, Demetrius Oliver, Michael Paul Britto, Nick Cave, Mickalene Thomas and Michael Queenland, but dont stop there. 144 West 125th Street, (212) 864-4500. (Smith) * WHITNEY MUSEUM OF AMERICAN ART: THE ART OF RICHARD TUTTLE, through Feb. 5. For 40 years Richard Tuttle has murmured the ecstasies of paying close attention to the worlds infinitude of tender incidents, making oddball assemblages of prosaic ephemera, which, at first glance, belie their intense deliberation and rather monumental ambition. Out of cord, tin, Styrofoam, florists wire and bubble wrap he has devised objects whose status is not quite sculpture or drawing or painting but some combination of the three, and whose exquisiteness is akin to that of jewelry. His outstanding retrospective is a cross between a kindergarten playroom and a medieval treasury. 945 Madison Avenue, at 75th Street, (800) 944-8639. (Kimmelman) Galleries: Uptown CHARLES BIEDERMAN: WORKS FROM THE 30S One of the most interestingly maverick and talented of between-the-wars American Modernists, Biederman left New York in 1942 for Minnesota, where he continued to make art and write art theory until his death in 2004. This small exhibition of biomorphic abstract paintings and one glossy construction of squares and knobs from the 1930s shows what an excellent student of European Surrealism and Constructivism he was. Meredith Ward, 60 East 66th Street, (212) 744-7306, through Jan. 14. (Johnson) OSCAR BLUEMNER Known for his soulful, jewel-colored, Cubist pictures of houses in semirural locales, Bluemner remains one of the most appealing of American Modernists who were active between World Wars I and II. This substantial exhibition of works on paper extends the full-scale Bluemner retrospective now at the Whitney Museum of American Art. Barbara Mathes, 22 East 80th Street, (212) 570-4190, through Jan. 28. (Johnson) * THE THIRD EYE: FANTASIES, DREAMS AND VISIONS The ostensible theme for this dizzying, diverting assortment of 89 very high-end drawings and prints is the fantastical, visionary strain of Romanticism that persists through Symbolism right up to now. Goya gets things officially started. The show takes in contemporaries or near-contemporaries like Eva Hesse, Basquiat and Matthew Ritchie. It rambles around two floors in no particular order: a connoisseurs heaven. Richard L. Feigen & Company, 34 East 69th Street, (212) 628-0700, through Jan. 28. (Kimmelman) Galleries: 57th Street * SAUL LEITER: EARLY COLOR In their painterly concentration on shadows, reflections, light and color, the distinctive color photographs that the fashion photographer Saul Leiter took in New York in the 1950s reform street photography by concentrating less on pedestrians than on what they might see. Howard Greenberg Gallery, 41 East 57th Street, (212) 334-0010, through Jan. 21. (Smith) GERHARD RICHTER This celebrated German master presents two sets of paintings. One set, made in his familiar manner of squeegeeing layers of wet paint, is enigmatically punctuated by a photograph of Mr. Richters own painting of flying fighter planes from the 1960s. The other, consisting of large canvases bearing blurry, all-gray patterns based on silicate molecules, casts a spell of visionary pessimism. Marian Goodman, 24 West 57th Street, (212) 977-7160, through Jan. 14. (Johnson) STRUCTURE Hardly any artist today takes geometry as seriously as certain American Modernists did, following the lead of Mondrian in the mid-20th century. So this well-produced show of geometric relief sculptures by Ilya Bolotowsky, Nikolai Kasak and Charles Biederman, among others, comes as a nice surprise. Eli Bornsteins truly beautiful, neatly gridded constructions of floating wood blocks painted lovely confectionery colors are alone worth the trip. Forum, 745 Fifth Avenue, (212) 355-4545, through Jan. 14. (Johnson) Galleries: Chelsea MARINA ABRAMOVIC: BALKAN EROTIC EPIC This performance artists staged video tableaus illustrating beliefs about the magical efficacy of certain sexually charged acts are interesting and amusing but less arousing than you might have hoped. Sean Kelly, 528 West 29th Street, (212) 239-1181, through Jan. 21. (Johnson) ELLEN ALTFEST: STILL LIVES Painted from life in the studio and outside, these thoughtful images of plants, cactuses, logs and driftwood reflect old-fashioned painterly values but still manage a fresh intensity of surface, space, form and intention. Bellwether Gallery, 134 10th Avenue, near 18th Street, (212) 929-5959, through Jan. 21. (Smith) NOBUYOSHI ARAKI, PAINTING FLOWER AND DIARIES Mr. Araki is one of Japans great photographers, but his installation of pictures of tied-up nude young women interspersed with pictures of exotic flowers garishly slathered with paint is too fashionably transgressive. Anton Kern, 532 West 20th Street, (212) 367-9663, through Jan. 14. (Johnson) * TAMY BEN-TOR, EXPLORATION IN THE DOMAIN OF IDIOCY On video -- and live on Friday and Saturday afternoons -- a wonderfully talented comic performance artist creates hilariously self-absorbed characters. Zach Feuer, 530 West 24th Street, (212) 989-7700, through Jan. 14. (Johnson) DEBORAH BUTTERFIELD Ms. Butterfield continues to make horses out of weathered branches and scrap steel that are, at best, magically lifelike. In the big one lying down in the gallery, the metal seems just as alive as the illusory animal. Three horses on the Park Avenue median, however, are out of their element -- too delicate to compete with the traffic and the giant buildings, but perhaps because of that, poetically poignant. Edward Thorp, 210 Eleventh Avenue, between 24th and 25th Streets; and on the Park Avenue median between 52nd and 54th Streets; (212) 691-6565, through Jan. 28. (Johnson) MIKI CARMI: PSYCHIC READYMADES This young Israeli-born painter makes strangely creepy pictures of oversize bald heads based on those of elderly members of his family. He lavishes painterly attention on veins, age spots, baggy eyes, wrinkles and drooping lips, and he floats the heads like weird balloons against white backgrounds. The paintings are far from beautiful, but their unsettling impact feels right for the often confusing roles that elders play in our psychic lives. Stux, 530 West 25th Street, (212) 352-1600, through Jan. 21. (Johnson) * ROY DE FOREST: NEW PAINTINGS At 75, this underappreciated West Coast artist, a sort of Neo-Expressionist before the fact, brings a new vehemence of color and texture, amplified by clearer compositions, to his comic-sinister universe of bright-eyed, zoned-out men and animals. George Adams, 525 West 26th Street, (212) 564-8480, through Jan. 28. (Smith) MATTHEW MCCASLIN This inventive sculptor plays with the tension between nature and technology. A working fountain has water flowing from sunflowers made of wide showerheads and copper pipe planted in a claw-foot bathtub. And the arrangement of a cuckoo clock and a flat-screen video view of peaceful lake waters on a natural plywood wall slyly enhances the faux-rustic ambience. Sandra Gering, 534 West 22nd Street, (646) 336-7183, through Jan. 14. (Johnson) GORDON MOORE Elegantly understated paintings animated by ghostly linear figures and their shadows, which gambol before the large-paned grid of -- well, maybe a factory window. Composed of lines of different lengths and colors and various thicknesses, these antic figures seem to vibrate on and under the paintings lightly brushed surfaces. Mr. Moore rings many intricate variations on his basic format, which, while it commits to the visible, manages to engage the mystery of what lies beyond it. Betty Cuningham Gallery, 541 West 25th Street, (212) 242-2772, through Jan. 28. (Glueck) NICHOLAS NIXON: LIFE AND TIMES Among other photographs from the last 30 years, this show features Mr. Nixons famous Brown Sisters, a set of group portraits of four sisters made annually, starting in 1975. It is almost painfully touching to see the beautiful siblings evolve from teenagers to late middle age. And then you begin to wonder how long this can go on before one of the five participants will no longer be available. Yossi Milo, 525 West 25th Street, (212) 414-0370, through Jan. 21. (Johnson) * LAMAR PETERSON In a show that is transitional in a good way, this promising young artist expands his reach, taking his bright, dystopic portrayals of the American dream onto canvas and into distinctive collages that pit the hand against the camera with succinct bluntness. Fredericks & Freiser, 536 West 24th Street, (212) 633-6555, through Jan. 21. (Smith) PAULA SCHER: THE MAPS Big paintings in the form of maps of Europe, North America, Los Angeles and Long Island combine abstraction and eccentric cartography with invigorating, subtly comical verve. Maya Stendhal, 545 West 20th Street, (212) 366-1549, through Jan 21. (Johnson) ROBERT STONE Made with a loose, watercolorlike touch, this young British artists oil-on-canvas paintings depict enigmatic and vaguely comical scenes, like tiny Canadian Mounties having a secret funeral in the woods, or a pair of travelers in oddly mixed costumes posing with a coffin. They are just sweet and peculiar enough to give you pause. James Nicholson, 547 West 27th Street, (212) 967-5700, through Jan. 28. (Johnson) Galleries: SoHo MARTIN BEAUREGARD, SOMNAMBULIC Old videos of absurdist performances and a new one about meditating and dreaming are eclipsed by two large stuffed-animal sculptures: a sumptuously furry teddy bear the size of a real cub made from a real bearskin, fearsome big claws and all; and a real moose head with majestic, silver-leafed antlers. Location One, 26 Greene Street, (212) 334-3347, through Feb. 4. (Johnson) * JIM DRAIN AND ARA PETERSON: HYPNOGOOGIA With a kaleidoscopic, mirrored DVD installation and multifaceted sculptures that resemble gaudy, 12-foot-high soccer balls, two of contemporary arts most interesting collaborators have masterminded a kind of wonderland of digital and analog psychedelia. The best piece is best experienced by descending on a ladder into a kind of rabbit hole. The total effect is amazing, if a little vacant. Deitch Projects, 18 Wooster Street, SoHo, (212) 343-7300, through Jan. 28. (Smith) SUZAN FRECON An accomplished abstract painter presents a serene installation of six large works -- three grid-based and three featuring simple, curvy shapes -- all in deep, rich reds, blues and greens. Peter Blum, 99 Wooster Street, (212) 343-0441, through Jan. 14. (Johnson) Other Galleries MONUMENTS FOR THE USA The critic Ralph Rugoff invited more than 50 artists to submit proposals for a never-to-be-built national monument. All the proposals, mostly illustrative works on paper ranging in spirit from scathingly critical to earnestly visionary, are presented by this entertaining if not especially profound exhibition. White Columns, 320 West 13th Street, West Village, (212) 924-4212, through Jan. 28. (Johnson) Last Chance ABETZ/DRESCHER The Berlin-based collaborators Maike Abetz and Oliver Drescher paint large, busily detailed pictures of Renaissance ruins densely populated by fashion models, broken guitars, televisions and naked figures from pagan myth in a style you might call psychedelic pre-Raphaelite. Though not impressive formally or technically, they do capture a certain wildly eclectic and deeply narcissistic state of youthful consciousness. Goff & Rosenthal, 537B West 23rd Street, Chelsea, (212) 675-0461, closing tomorrow. (Johnson) * GUGGENHEIM MUSEUM: RUSSIA! This survey of nine centuries of Russian art ranges from 13th-century religious icons to a smattering of 21st-century works, achieving its astounding effect without resorting to a single egg, or anything else, by Fabergé. 1071 Fifth Avenue, at 89th Street, (212) 423-3600, closing Wednesday. (Smith) * FRANCO MONDINI-RUIZ: QUATTROCENTO In a bit of performative art-making that sends up art-world preciousness with intimations of tourist souvenirs, the 400 paintings here are seductive, portable, priced to sell ($400) and sometimes made on the spot. Also good, at Envoy, a gallery that shares the Taylor space, is the New York debut of Nils Erik Gjerdevik, a young Norwegian artist who cannibalizes snippets from Art Nouveau to graffiti into playfully calligraphic designs. Frederieke Taylor Gallery, 535 West 22nd Street, Chelsea, (646) 230-0992; Envoy, (212) 242-7524; both closing tomorrow. (Smith) * MUSEUM OF MODERN ART: ELIZABETH MURRAY Here is the complete range of shape-shifting, dizzily colored pictures that Elizabeth Murray has produced over four decades. The colors are noisy, the harmonies pungent, the scale big and bold. While art-world fashion has drifted here and there, Ms. Murray has stuck to her craft, with all its difficulties and at the occasional cost of failure and neglect. Her show is a meaty, openhearted, eye-popping event. (See above.) Closing Monday. (Kimmelman) * THE MUSEUM FOR AFRICAN ART: LASTING FOUNDATIONS: THE ART OF ARCHITECTURE IN AFRICA Like most architectural shows, this one uses lots of photographs and texts, and more than many, it also incorporates objects: Dogon door locks from Mali; carved Igbo doors from Nigeria; Swahili window frames, rich with Indian and Islamic motifs, from Kenya. World Financial Center Courtyard Gallery, 220 Vesey Street, Lower Manhattan, (718) 784-7700, closing today. (Cotter) ANNYSA NG: LOVE & FEAR A beautiful new gallery occupying two floors of a tiny brick house presents works of postmodernist faux-antiquity by a Chinese artist who has studied in Hong Kong, New York and Germany. The large, Victorian-style silhouettes are not without possibilities, though perhaps they are too Kara Walker-like; the hanging assemblages made of braided hair, fabric and found objects have an erotically stirring poetic delicacy. Holasek Weir, 502 West 27th Street, Chelsea, (212) 367-9093, closing Tuesday. (Johnson) RICHARD POUSETTE-DART: PRESENCES: THE IMPLODING OF COLOR Though routinely associated with Abstract Expressionists, Pousette-Dart had metaphysical and symbolist interests that distinguished him from better-known members of that group. In the 1960s and 70s, he turned to what you could call Pointillist Color Field Painting, and though the sensuous impact of light, color and thickly stippled paint is strongly asserted, the works are also animated by intimations of cosmic mysticism. Knoedler, 19 East 70th Street, (212) 794-0550, closing tomorrow. (Johnson) RUSSIA 2: BAD NEWS FROM RUSSIA An entertaining, congested and abrasive exhibition presents stridently and antically political contemporary works by 15 individuals and groups who live and work in Russia. White Box, 525 West 26th Street, Chelsea, (212) 714-2347; and the Annex, 601 West 26th Street, Chelsea, (646) 638-3785; closing Wednesday. (Johnson) FELIX SCHRAMM: COMBER It looks as if a tornado ripped parts off an ordinary house and slammed them into the gallery, creating a Cubist-Expressionist-style environment that was, in fact, carefully designed and assembled by this young and innovative German sculptor. Grimm/Rosenfeld, 530 West 25th Street, Chelsea, (212) 352-2388, closing tomorrow. (Johnson)
Rosie ODonnell to exit The View again as ABC shows woes continue
According to ODonnells publicist, the exit is due to the brash comics stressful split from her wife, Michelle. I can confirm that Rosie and her wife, Michelle, split in November, Cindi Berger wrote in a statement. Rosie has teens and an infant at.
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. interview; portrait
Rosie ODonnell Rips Stephen Collins, Katie Couric. She.
Rosie ODonnell thinks Katie Couric failed in her interview with Stephen Collins, attacking the 7th Heaven star for ruining the lives of the children he���
PERSHING ANNOUNCES 720 CASUALTIES IN ARMY AND 32 IN THE MARINES; 150 Killed in Action, 121 Missing in Army Lists, Also 395 Wounded
WASHINGTON, Oct. 3.--The War Department gave out two army casualty lists today, which contained 720 names, bringing the total for the army up to 38,989. One Marine Corps list was issued, which contained 32 names, making the. total for that arm 3,357. The total for the army and marines is now 42,346.. missing
Deaths; Cards of Thanks
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Rosie ODonnell Splits With Wife, Quits The View To Focus.
Rosie ODonnell is leaving her co-hosting job on The View to take care of her family in the wake of her split with wife Michelle Rounds. The pair wed in 2012 and have been living separately for three months, according to the��.
Rosie ODonnell leaving The View after split from her wife
Rosie ODonnell leaving The View after split from her wife. By Joe Sutton, CNN. Updated 12:56 PM ET, Sat February 7, 2015. Sofia Vergaraandlt;a href=andquot;http://www.whosay. <img alt=Sofia Vergaraandamp;lt;a href=andamp;quot .
Rosie ODonnell Is Set to Exit The View Again ��� Next.
. shes gone. Rumors were rampant last month that Rosie Perez would be departing from The View (those rumors turned out to be false), but as it turns out, Rosie O Donnell will be the Rosie leaving earlier than expected.
Rosie ODonnell kicks off The View to best ratings in 8 years
With numbers like this, Rosie can wear whatever she wants. Powered by the return of Rosie ODonnell to the chat panel, ABCs daytime veteran The View had its biggest premiere rating in eight years.
Rosie ODonnell On The View Again -- Officially Joining As.
Rosie ODonnell has made her deal with The View. sources connected with the negotiations tell TMZ.Were told the show will make the announcement���
Obituary 2 -- No Title
Obituary 2 -- No Title
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The View brings back Rosie ODonnell | EW.com
Rosie ODonnell is coming back in. After the departures of Sherri Shepherd, Jenny McCarthy, and Barbara Walters from ABCs The View, the daytime talk show is looking back to one of its old hosts. On Twitter, the shows��.
Rosie ODonnell -- Breaks Up With Her Wife. and The View
0206_rosie-michelle-rounds-the-view_2 Rosie ODonnell is making a clean break -- leaving her wife AND quitting The View. all in one fell swoop. Rosies rep confirmed she and Michelle Rounds are splitting after 2 and a half years of marriage. The.
Obituary 1 -- No Title
. Galgano, Frank I
Rosie ODonnell splits with her wife and The View
Rosie ODonnell is calling it quits from ABCs The View, again, blaming her departure on a split with her second wife, Michelle Rounds, last November. Her spokeswoman, Cindi Berger, and ABC said ODonnell will leave the show sometime next week, .
Chief Awards at the Dog Show in Mineola
Affenpinschers-Winners bitches, best of breed, Mrs. H. Proctor Donnell Reillys Lile v. Zwergleufel Afghan Hounds (Winners, Dogs)-Dr. W. G. Drowns Sanisu. Winners, Bitches (Best of Winners, Best of Breed)-Dr. W. G. Drowns Shepset.
Rosie ODonnell to get honorary Tony Award | EW.com
Image Credit: Beck Starr/WireImage Rosie ODonnell is getting a Tony Award. The awards administration committee said Tuesday that the former talk show host will get the 2014 Isabelle Stevenson Award, an honorary prize��.
Rosie ODonnell Is Leaving The View Again
Rosie ODonnell is officially leaving The View for a second time. ODonnell had co-hosted the popular ABC daytime talk show from 2006 to 2007 (and was one of its more controversial personalities) before leaving, only to come back just last year after a .
Rosie ODonnell Documentary to Premiere at the Athena.
The comedian and View co-host will attend the world premiere of her HBO documentary Rosie ODonnell: A Heartfelt Stand Up at the Barnard College-based festival focused on womens leadership. Shell also participate in a��.
Boom! Rosie ODonnell to leave The View
Well, we didnt see that coming. Wait, I guess we did: Rosie ODonnell has quit The View. In a late Friday announcement, ABC and ODonnells reps said she was leaving the program ��� struggling with diminished ratings and diminished buzz.
Rosie ODonnell Flubs The View Name, Calls It The Talk.
The co-host laughs off her reference to CBS program.
Rosie ODonnell to exit The View
She will exit the daytime talkshow next week to concentrate on her family, following a split from wife Michelle Rounds , according to her publicist. I can confirm that Rosie and her wife Michelle split in November. Rosie has teens and an infant at.
Call It Deja View: Rosie ODonnell Leaving Morning Chat Fest Again
���Rosie [ODonnell] is an immensely talented star who comes in each and every morning brimming with ideas, excitement and passion for the show,��� an ABC rep said in a statement to The Hollywood Reporter.���When she told us that she wanted to exit The .
Rosie ODonnell Is Leaving The View, And Her Wife
The changes for ODonnell were first reported Friday evening by The New York Post. Her publicist confirmed the report to BuzzFeed News. According to the Post, ODonnell is leaving the show to focus on her five children. ODonnell first joined The View.
Obituary 1 -- No Title
. Herbert, John A
Rosie ODonnell Is Leaving The View��� Again! Could It Be.
Rosie ODonnell, we hardly knew ye��� again? Thats right, in a surprising bit of news, Rosie is set to exit The View for the second time. Nope, youre not having deja vu! Rosies very last show will be next week. However, not��.
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Rosie ODonnell returns to The View - Entertainment Weekly
Rosie ODonnell left The View before her contract was up in 2007 and hasnt been back since. Today, the former host returned to the show as a guest. Sadly, Elisabeth Hasselbeck made her exit this past summer, so we��.
Rosie ODonnell Exiting The View After 2nd Brief Stay
NEW YORK ��� Rosie ODonnell is leaving The View for a second time. Her publicist, Cindi Berger, said Friday that the outspoken co-host of the ABC daytime chat show is exiting next week to focus on her five children after the breakup of her marriage.
Arts and Leisure Guide; Of Special Interest Off and Dancing A Dig In Fashion Theater Opening This Week Broadway Now Previewing Off Broadway Off Off Broadway Tristate Canada Dance Film Opening This Week Recent Openings Music Opera Concerts Jazz Pop/Folk/Rock Art Galleries Uptown Arts and Leisure Guide Galleries 57th St. Galleries SoHo Museums Photography Miscellany
Arts and Leisure Guide; Of Special Interest Off and Dancing A Dig In Fashion Theater Opening This Week Broadway Now Previewing Off Broadway Off Off Broadway Tristate Canada Dance Film Opening This Week Recent Openings Music Opera Concerts Jazz Pop/Folk/Rock Art Galleries Uptown Arts and Leisure Guide Galleries 57th St. Galleries SoHo Museums Photography Miscellany
Obituary 3 -- No Title
Obituary 3 -- No Title
Rosie ODonnell Is Leaving The View
Rosie ODonnell is leaving The View. ABC confirmed that the talk show host, who returned to the program last fall after a seven-year hiatus, will move on after next week to focus on her family. Rosie is an immensely talented star who comes in each.
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BREAKING: Rosie ODonnell Quitting The View Again, Dissolving Another Gay.
Rosies representative Cindi Berger confirmed the breakup, as well ODonnells departure from The View in a statement Friday night: ���I can confirm that Rosie and her wife Michelle split in November. Rosie has teens and an infant at home that need her .
Rosie ODonnell -- Impossible on The View. Days Are.
Rosie ODonnell is a malcontent who is bringing down The View and is impossible to deal with. so claim well-placed sources in the shows���
Rosie ODonnell Denies Rosie Perezs View Exit in an.
Rosie ODonnell Denies Rosie Perezs View Exit in an Expletive Filled Rant Rosie ODonnell denied that Rosie Perez will be leaving The View on Thursday morning (January 15) live on the show. ���And no matter what you��.
Rosie ODonnell Leaving The View
ABC circled back to ODonnell and hired Rosie Perez and former MSNBC analyst Nicole Wallace, to revitalize the aging talk show thats now in its 18th season. Besides losing its founder, Walters, the show also had openings after lasts seasons booting.
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Rosie ODonnell to Leave The View After Splitting With Her Wife
Rosie ODonnell will leave ���The View��� to concentrate on her family after she splitting with her wife of three years. The New York Posts ���Page Six��� reported Friday night that ODonnell, 52, and her wife had been living apart for months and that the.
Rosie ODonnell to Leave The View After Splitting With Her.
Rosie ODonnell will leave The View to concentrate on her family after she splitting with her wife of three years. The New York Posts Page Six reported Friday night that ODonnell, 52, and her wife had been living apart for��.
Rosie ODonnell -- Breaks Up With Her Wife. and The.
Rosie ODonnell is making a clean break -- leaving her wife AND quitting The View. all in one fell swoop. Rosies rep confirmed she and Michelle���
Wills for Probate
MANHATTAN BERGHORN, MARGARET (Sept. 13). Estate, more than $10,000. To Elsa Berghorn, daughter, household, personal effects and life estate in one-fourth residue; George Berghorn, Louis Berghorn, executor, 2,314 1st Ave., and William Berghorn, executor, 485 Central Park West, sons, one-fourth residue each.
Rosie ODonnell leaving The View (and her wife)
ODonnells publicist release this statement, which also revealed the actress has split with her wife Michelle: ���I can confirm that Rosie and her wife Michelle split in November. Rosie has teens and an infant at home that need her attention. This has.
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Rosie ODonnell Leaving ���The View,��� Splits from Wife; Joy Behar May Return
Rosie ODonnell is leaving ���The View��� and has split from wife Michelle Rounds. Page Six got the scoop tonight. This may explain Rosies behavior on ���The View��� since it started again last fall. Almost immediately after the show she and Rounds, who.
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